Auctions

THE best seller at Tennants’ sale on November 22-23 in the Yorkshire Dales was consigned by a Yorkshire family with connections to the famous silversmith who made it.

Selling art is not all that has been going on at Finarte in the past few weeks. The auction house has recently won a landmark appeal against the Italian state which will ensure that auctioneers do not lose out when the state pre-empts a work of art.

A small part of the English trade’s history went under the hammer along with the last effects of Leicester dealer Ernest Galinksy at Warner Auctions sale on 31 October.

ITALY: Back on November 4, Semenzato (19 per cent buyer’s premium, including VAT) held a sale of furniture and works of art in Venice in which an 18th century Venetian painted chest of drawers, pictured right, produced the highest price of the day at Li160m (£52,460).

Contemporary Decorative Arts, Sotheby’s selling showcase of work by European designers, has become a popular annual fixture in the auctioneers’ calendar.

Less than a week after Sotheby’s became the first foreign auctioneers to sell in France, Christie’s brought down the hammer on their inaugural French sale – the first session of the Charles-Otto Zieseniss collection.

TEETHING problems galore characterised the launch of New York’s The Antiquarian Fine Art Fair, which did not really recover from a disastrous benefit preview on the evening of November 29.

While provincial auctions often struggle to find enough quality private antique furniture and works of art consignments for their sales, BBR Auctions breweriana sales are going from strength to strength at the South Yorkshire rooms near Barnsley.

Whitbread archives provide Knowle with a trophy consignment: The Midlands branch of the Bonhams empire, the former Phillips salerooms at Knowle, has not previously been known for regular breweriana sales but their reputation for selling collectables saw them win a 356-lot consignment from the Whitbread archives.

Collectors from Lancashire arrived at the Edinburgh sale of Decorative Arts held by Lyon and Turnbull (15/10% buyer’s premium) on November 7, excited by this silhouette, right, of their favourite ceramic factory.

“There was a certain amount of watching. People were there to see what was happening, which was why it was slightly less active than last year, particularly for the nice, but less fashionable 19th century watercolours.”

Two weeks after Christie’s and Bonhams’ Knightsbridge sales, Bonhams’ (15/10% buyer’s premium) offered a small 110-lot selection of antiquities along with a dozen lots of icons in their Bond Street rooms on November 27.

When Sotheby’s sold Joan Stephens’ collection of samplers and needlework in New York in 1997, the second most expensive lot, at $90,000, was an English needlework picture initialled EP, and dated 1746.

A new world auction record for Sir Joshua Reynolds was achieved at Sotheby’s on November 29 when the oil on canvas Portrait of Omai sold for £9,400,500 (plus 20/15/10 per cent buyer’s premium).

This codified sequence of columns, dots and captions is what the superstitious folk of 16th century Italy consulted with more zealotry than a tabloid-reading lottery pundit in search of Mystic Meg.

Basic buyer’s premium almost doubles: On the rainswept evening of November 29 in Paris, as the tricolor fluttered proudly over the Elysée Palace and Christmas lights twinkled on the Champs-Elysées, history was made as Sotheby’s became the first foreign auctioneers ever to sell in France – exploding a monopoly dating back to 1556.

BIDDING was rather more subdued than usual at this recent Sussex sale at Strides on 6 November, but as ever, the manuscript section contained much that was of interest and, at a comfortable, safe distance, even rather amusing.

The secret memorandum that Nelson sent to all of his captains on the eve of the Battle of Trafalgar, outlining his plan to divide the fleet into three squadrons and thus be able to direct at least 24 ships against any part of the enemy’s line, has become one of the more celebrated documents in the history of naval warfare.

Chinese sales at Christie’s South Kensington (17.5/10% buyer’s premium) can always be relied on to produce some good prices during Asia week. While the morning works of art session in their Chinese Ceramics and Works of Art sale, November 8, was quiet, business picked up in the afternoon for the ceramics section.

As fresh, quality private consignments become ever scarcer, the competition for such works must make it difficult for auctioneers nationwide to put sales together. Although Bonhams’ (15/10 buyer’s premium) 400-lot Fine Asian Art sale on November 12 had fewer top quality works to tempt buyers than at Sotheby’s and Christie’s, the modestly estimated and fresh-to-the-market tea dust-glazed moonflask, Qianlong seal mark and period, saw buyers jostling for ownership.