Auctions

FRANCE: The 2nd part of the J. Lemarchand Collection of trains and toys came under the hammer in Chartres (Lelièvre-Maiche-Paris) in a 680-lot sale on September 15 & 16.

COPENHAGEN: Combining the current commercial attractions of Denmark’s so-called Golden Age painters of the early 19th century with plein air oil sketches by artists made in Italy during the same period, an intriguing group of small canvases by three, albeit relatively minor Danish Golden Age artists sketching in Italy proved to be a predictably desirable target on the second day of Bruun Rasmussen’s (25% buyer’s premium) September 3-5 sale in Copenhagen.

Leonard Rosoman (b.1913) is an artist whose technical skill and individuality of style has never quite captured the imagination of the art market in the way that more widely recognised contemporaries like Edward Burra have.

AUTUMN opened at Sotheby’s Sussex with a modest, but quite keenly bid for, furniture offering where the top sellers were two (7ft 6in (2.29m) William IV pine and oak bookcases.

Sotheby’s 236-lot Clocks, Watches and Barometers sale was the largest of the three held on September 20. Timed to capitalise on the recent opening of the Olympia saleroom, it brought £417,645 and was 73 per cent taken up by lot. This small olivewood marquetry longcase clock, c.1680, 7ft 6in (2.15m), by Joseph Knibb, stole the limelight.

Gordon Russell, the Cotswolds School designer, is now famous for his austere designs of utility furniture. Unfortunately for Russell, this means that his work is often neglected and undersold by owners who do not realise his significance in the history of Arts and Crafts design.

The September 20 auction of Doulton, Poole and Carlton ware at Christie’s South Kensington (17.5/10% buyer’s premium) was a three-part sale that gave two distinctly different performances.

THE Essex auctioneers Trembath Welch put together a sound 450-lot sale on 10 September to open the autumn season and were rewarded with generally solid prices and one happy surprise to offset one disappointment – an almost inevitable event in the currently hyper-selective market.

“It never gets any easier, it only gets more difficult,” a dealer told Guy Schooling before Sworders’ autumn sale on 18 September. Certainly the Essex auctioneer was ready to assume the worst after a summer so quiet he had to cancel a general sale in August, but the market is also known for its unpredictability, and a frantic two weeks at the beginning of September brought more than 500 lots through the doors.

CANTERBURY Auction Galleries are celebrating the relaunch of their rooms after a £300,000 modernisation programme. The Lord Mayor of Canterbury, Councillor Fred Whitemore, will re-open the rooms on October 4, revealing, among other changes, a grand new slate staircase and entrance lobby, with new reception area.

An evening sale of contemporary ceramics, held by Phillips (17.5/10% buyer’s premium) on September 25 yielded a healthy set of overall statistics and some strong individual results. Just over three-quarters of the 200-odd lots changed hands (82 per cent in value terms) chalking up a net total of just under £390,000.

This early Meissen silver gilt mounted tankard painted in the manner of Horoldt was spotted sitting on top of a radiator by auctioneer Mark Law during a routine valuation.

“THIS was a very good way to get the season rolling,” said auctioneer Ben Lloyd of this 371-lot sale at Mallams Oxford on 7 September from which only one lot remained unsold.

RELATIVELY quiet July and August sales caused a bit of a re-think at Gorringes: “After July we were a little bit worried,” said Lewes specialist Nick Muston. “There has been an adjustment in the market and we have adjusted prices accordingly.”

Fewer than half of the 128 lots that made up The Cat Sale at Bonhams & Brooks on September 12 found buyers, but while demand was distinctly patchy and only 10 of 22 works by one of the foremost contemporary exponents of feline portraiture, Anne Mortimer, found buyers, there was no stopping Louis Wain.

From the day it was delivered to Lord Yarborough in 1826, this Benjamin Vulliamy travelling clock had remained in the same family until it was sold at Hy Duke’s sale in Dorchester on September 20.

When this walnut chair arrived at Shanklin Auction Rooms (10 per cent premium) on the Isle of Wight it was catalogued as Victorian and expected to fetch £400-600. However, specialist dealers who viewed it before the September 4 sale noted its clean, classical lines its ebony strung motifs and, most significantly, the wrap-around back.

THE first UK clocks and watches sale after the summer lull presented a good opportunity to examine the health of a market which is notoriously prone to ups and downs. From results at Gardiner Houlgate, Bath, it would seem that the trade in gentleman’s pocket watches remains buoyant, while ladies’ wristwatches are still hard to shift.

One unexpected result enlivened an otherwise unexceptional sale of Continental decorative arts held by Christie’s South Kensington (17.5/10% buyer’s premium) on September 13.

Scottish painting is, as we know, one of the stronger sectors of the UK art market, but William Page Atkinson Wells (1872-1923) is not one of its better known names.