Exhibitions

Vivid and lifelike, the lithograph of an Ariel Toucan shown below first appeared in a monograph by British naturalist John Gould (1804-81), 'The Bird Man'. Despite being in the hand of his wife Elizabeth (1804-41), this, like most of the illustrations in John’s publications, was long considered to be essentially his work.

Patrick Heron’s screenprint 'January 1973: 12 1973' is among the offerings at Belgrave St Ives’ summer exhibition of Modern art.

A Henry Clay polychrome tea caddy, c.1785, in the manner of Robert Adam is among the pieces lent by dealer Mark Goodger of Hampton Antiques to be featured in Compton Verney Art Gallery’s exhibition A Tea Journey: From the mountains to the table.

A study for the mysterious painting 'Allegory' by Thomas Monnington (1902-76) features in Liss Llewellyn’s exhibition of religious art in 20th century Britain. It shows a nude man and woman before a tree, an overt visual reference to Adam and Eve, but one which the artist denied.

A year-long programme aimed at bringing the history of British antiques dealing to the public has launched with the support of seven UK art institutions.

While fairs remain a vital part of the art market calendar, the rich series of gallery selling exhibitions in Mayfair and St James’s this summer offer more chances to view and buy – at a different pace.

An 1817 miniature of Napoleon by British painter Henry Bone (1755-1834) is among the highlights at Ellison Fine Art’s exhibition of portrait miniatures this month.

'What Happened to Good Design', a summer selling exhibition at Hill House in Kensington Church Street, was inspired by a show at design shop Heal’s in 1982 of the same name. It offers works from the Arts & Crafts period and beyond.

Giorgio de Chirico’s 'Nudo dormiente', c.1930, is among the works included in Galerie Alexis Pentcheff’s erotic art exhibition 'Qriosa: Secret Room of Indecent Objects', where it is offered for €200,000.

This abstract oil on paper is among the works on paper by the modern British painter Adrian Heath (1920-92) currently on show at St James’s gallery Alan Wheatley Art.

When Eugène Delacroix (1798-1863), leading artist of the French Romantic school, died in 1863, the Ecole des Beaux-Arts commissioned a bust to commemorate the painter and embody his genius.

An acrylic on paper of Timanfaya, the only active volcano on the Canary Island of Lanzarote, by British artist Wilhelmina Barns-Graham (1912-2004), is one of the highlights of the exhibition A Distant Isle.

A pair of large c.1760 Chelsea ovoid vases made after a drawing by English architect and furniture designer William Kent (1685-1748), is on offer at Albert Amor this month.