Art Market

Post-war and Contemporary art is increasingly boosting revenue at regional salerooms

An auction record for John Aldridge (1905-83) was set at Lacy Scott & Knight (22.5% buyer’s premium) when a crisply painted still-life drew the attention of six phone bidders.

Modern British artist Laura Knight’s lesser-known landscape works still form a significant body of work

A small flurry of recent good prices for Australian artist Herbert Ivan Babbage (1875-1916) continued at David Lay (18% buyer’s premium) in Penzance, Cornwall.

It was a case of the cows coming home after 30 years for one buyer at a recent auction.

Works from the collection of Edward Croft-Murray (1907-80), former keeper of prints and drawings at the British Museum, provided plenty of sale highlights.

Drawing of renowned Scottish dealer by the artist reflected strong bond between the two

Works by Bloomsbury artists once again caused a stir at a recent Modern British art sale at Bonhams (27.5/25/20/14.5%) in London.

An intriguing variation on an Old Master sparked a strong competition at Parker Fine Art (25% buyer’s premium) earlier this summer.

Although condition remains a pivotal factor in the Old Master market, a number of lots sold recently in the UK regions suggest increasing interest for works that represent a promising restoration project.

A group of works by painter, printmaker and war artist Edward Ardizzone (1900-79) was offered at Lawrences’ latest picture sale in Crewkerne, with eight lots coming from the artist’s family.

Group acquired by influential dealer Oliver Hoare brings solid demand

The top-priced picture of the Dominic Winter sale on July 23 came for a print from a separate source to the Oliver Hoare prints.

When this triptych came in for examination at Gloucestershire saleroom Dominic Winter, it was difficult to distinguish certain areas of the painting.

A small oil painting discovered among the contents of a Leamington Spa property sold for many multiples of its estimate at Kinghams (23% buyer’s premium).

One of the most-represented names in the Fry collection was William Henry Hunt (1790-1864).

Works by Peter De Wint performed well at both Sotheby’s A Fine Line auction on July 7 and the online sale of Old Master and British Works on Paper from July 2-8.

British watercolours and drawings amassed by dealer came under the spotlight at two salerooms

The Fry collection sold at Chiswick Auctions in London was reminiscent of the kind of auctions the dealer himself would attend

Pre-1950s Mary Fedden works are stylistically different to her later still-lifes and coastal subjects