London

A LOT from the Michael Wittock collection of important Renaissance bindings sold by Christie’s on July 7, this is one of the two vols. that make up an exceptional copy of the 1540, first Aldine edition of the works of Machiavelli and was one of a large number of books bound in Venice in 1547 for Antoine Perrenot de Granvelle, the humanist Bishop of Arras, by a craftsman who came to be known as the Fugger Binder after one of his later patrons.

WITH a turnover last year in excess of £5 million, Vectis, who are based in Stockton-on-Tees, are well known as the world’s largest auctioneers of toys. Perhaps less well known is the fact that the company also organise shows and, for some years, have put together the successful London Toy Soldier Show at The Royal National Hotel in London’s Bloomsbury.

ONCE owned by a member of Henri III’s ‘Compagnie des Confrères de la Mort’, this psalmbook, right, a 1586 Parisian edition of Le pseaultier de David..., is bound in French sombre morocco.

FOLLOWING the success of last year’s inaugural reunion of former Phillips employees there will be a similar Phillips Reunited gathering next month on Tuesday September 14 at 6.30pm.

THE London coin auction is indeed evolving. We have the announcement by Stephen Fenton of the birth of St James’s Auctions. Their first sale is scheduled for Wednesday October 13 at the De Vere Cavendish Hotel in Jermyn Street. It seems that this promises to be a very prestigious sale.

I HAVE often illustrated plates from the works of Maria Sibylla Merian, but never before a portrait of that remarkable lady herself.

REGULAR events though they are among High Street traders great and small, cut-price sales are still relatively rare in the antiques trade. In recent years a few dealers have used this tried- and-trusted format to boost turnover in sleepy times, but sale days remain an exception.

DEALERS are, traditionally, very secretive about their restorers, whose services are probably the most vital of any to the trade, and seldom do top restorers cross over and become dealers.

IN The Sunday Telegraph of July 25, Sarah Jane Checkland offered that old chestnut “what paintings sell”. Much of the analysis was predictable – “paintings of women and children outstrip those of men and the younger and more attractive the better” and “prospects are grim for dead animals”. However, a few results of her survey were more intriguing.

AT the Royal Academy Summer Exhibition this year, the end wall of Gallery II was completely taken up with a work which John Hoyland, Professor of Painting at the Academy Schools, described as “Terry Frost’s magnum opus”.

ART case pianos, as their name implies, are instruments with very decorative cases painted or elaborately inlaid, and usually one-off commissions.

THE general strength of the Sèvres market was reinforced in spades by the very strong prices paid for two plates that featured in Christie’s King Street sale on July 5. Both are from celebrated services and both have the type of bold, slightly more masculine decoration that is currently fashionable.

WITH the King Street sale devoted entirely to Continental material, it was left to Christie’s South Kensington rooms to offer a home-grown element with the morning half of their sizeable 393-lot, June 24 British and Continental ceramics offering.

THE most sought-after and best-performing English factory amongst the more select gatherings of English wares at Sotheby’s Bond Street sale was undoubtedly Chelsea. The auctioneers had 16 lots to offer, mostly consigned from one collection and of the currently fashionable Red Anchor period botanical type either in their painted decoration or shape.

ENGLISH and Continental glassware was also a feature of Sotheby’s June and July ceramics sales. It accounted for just over 30 per cent of the more affordable Olympia offering, where around two-thirds of the 115 lots changed hands, and just under a fifth of their Bond Street sale where around half the 33 lots found buyers.

THESE two half-length images of women, right, could hardly be more different in date or technique, but their prices proved as uncannily similar as their poses when they came under the hammer at recent fine art auctions.

THE energy with which Spink pursue their business was made manifest on July 15 when they crammed in another sale which has not been part of their auction schedule in recent years. The total take was £250,850 and, although it was a 519-lot general sale, it offered several homogeneous sections. In all, it taught us really quite a lot about the state of the London coin market.

WHEN Birmingham-based organiser Fran Foster announced last year that she was bringing her successful Antiques For Everyone formula to the capital in the middle of August, many observers, frankly, thought she had been sitting in the sun for too long. Particularly since her chosen venue was Earls Court Two, where Olympia’s organising arm, Clarion Events, had tried and failed to get a high summer fair off the ground just a few years before.

COINCIDING with the run up to the British Open at Royal Troon, Christie’s South Kensington (19.5/12% buyer’s premium) held their summer sale of golf memorabilia on July 8. According to the specialist in charge, David Convery, the auction was “well attended by British based and American buyers,” but, nevertheless, there was still something of a polite hush around the saleroom with most lots barely scraping past their reserves.

THE first outing for Sotheby’s associate Graham Budd Auctions (15% buyer’s premium) offered a large range of sporting memorabilia in a 885-lot sale held at Sotheby’s Olympia on June 9. Football was the most represented sport, contributing to well over half the total number of lots.