London

Britain’s third and fourth largest auction firms, Bonhams & Brooks and Phillips, finally merged on November 1 to create an enlarged company, called simply Bonhams.

The show stopper at Christie’s Indian and Southeast auction on October 17 was this sublime grey schist Gandharan bodhisattva, 2/3rd century. The drapes of the robes falling about his body contrast with his powerfully carved bare chest, as he stands gazing ahead with a fixed stare.

These days it is all too easy to assume that everything that passes through the London salerooms is a totally known quantity that can no longer hold any surprises for either the auctioneer or the trade. But, believe it or not, London sales can still contain significant sleepers, as was demonstrated twice in the space of five days at the main London houses’ secondary salerooms.

The Ashendene Dantes that sold for £7000 as part of the book section of this general antiques sale at Dreweatt Neate on 10 October were formerly in the library of Sir Frederick Handley Page, founder of the aeronautical firm, and sold at £3500 was his copy of the 1906 Ashendene edition of Sir Thomas More’s Utopia.

Two rather different toy sales went under the hammer early last month. October 4 saw Christie’s South Kensington (17.5/10% buyer’s premium) put some 465 lots predominantly devoted to dolls under the hammer while six days later Bonhams & Brooks (15/10% buyer’s premium) offered an even bigger, more general 630-lot mix of playthings ranging from Dinkys and lead figures to dolls, soft toys and tinplate.

EVIDENCE of the growing affinity between the worlds of antiques and decoration was to the fore at the recent Decorex International, held at the Royal Hospital, Chelsea from September 23-26.

THE long-awaited – and often controversial – scheme to redevelop Bermondsey Square is due to take a major step forward. Architects Arup Associates, who won the competition to design the new-look site, were due to submit their plans to Southwark Council for approval.

LONDON: Long-established organiser Caroline Penman launches a new summer fair in London next year when The New Chelsea Antiques Show is held at the Royal Hospital, Chelsea.

Next month will see a crop of Oriental auctions as part of Asian Art in London, the capital’s celebration of the rich vein of commercial and non commercial treasures and expertise on offer in its galleries, salerooms and museums. For those hungry for goods in the meantime, Bonhams & Brooks (17.5/10% buyer’s premium) opted to go ahead of the general run and offer a large 420-lot oriental gathering on September 26.

Staff briefed on avoiding conflicts of interest. Sotheby's have sent out a memo to leading members of the trade involved with fairs at Olympia to explain how they will support exhibitors.

It’s a case of two days only with Ryan Fine Art’s (74 Vanbrugh Park, Blackheath, SE3 7JQ. Tel: 020 8293 5300) exhibition of over 80 Victorian and European oils, watercolours and prints.

“For the really top things there’s no shortage of buyers, but the middle ground is weaker,” affirmed Stephen Mould of Sotheby’s wine department. “If you’ve got large parcels that depend on the trade, then bidders are more cautious. But if you’ve got small quantities of the finest things there are plenty of private buyers prepared to pay good money.”

HOPES of finalising a draft of proposals for developing the new Home Office database for beating art crime by the beginning of October have not been realised. It now appears that it will be at least another two months before the proposals can be submitted to the parliamentary committee looking into them for assessment.

Jean-Vital Remy was one of the most determined and assiduous Dinky toy collectors. Over a relatively short space of time – around 15 years from the mid-1980s – this Belgian enthusiast built up an enormous assemblage of French and English Dinkys spanning the entire production period. His desire for comprehensiveness and determination to acquire pieces with unusual colour or design variations made him a formidable adversary when it came to buying, whether at auctions or in shops or fairs.

Leonard Rosoman (b.1913) is an artist whose technical skill and individuality of style has never quite captured the imagination of the art market in the way that more widely recognised contemporaries like Edward Burra have.

The September 20 auction of Doulton, Poole and Carlton ware at Christie’s South Kensington (17.5/10% buyer’s premium) was a three-part sale that gave two distinctly different performances.

An evening sale of contemporary ceramics, held by Phillips (17.5/10% buyer’s premium) on September 25 yielded a healthy set of overall statistics and some strong individual results. Just over three-quarters of the 200-odd lots changed hands (82 per cent in value terms) chalking up a net total of just under £390,000.

From the day it was delivered to Lord Yarborough in 1826, this Benjamin Vulliamy travelling clock had remained in the same family until it was sold at Hy Duke’s sale in Dorchester on September 20.

AFTER this year the 20/21 British Art Fair will move from the Royal College of Art in Kensington Gore, London SW7 to the Commonealth Institute, Kensington High Street, W8.

Themed series are all the rage in the salerooms these days. September 25-28 has been designated Travel Week by Christie’s King Street rooms and will be given over to a series of sales devoted to voyages, exploration and discovery.