Bristol

WE are used to seeing one-piece, tabletsigned, Japanese ivories in good condition make anything from £800 up to several thousand pounds at auction. But somewhat more surprising, given the selective state of the general market, was the high selling rate of low-grade okimono, right, at the Clevedon Salerooms (15 per cent buyer’s premium) in Bristol on September 5.

A 19th century Aesthetic movement ebonised Japanesque cabinet was orginally housed in the Yorkshire home of a Mr Mossman, a wealthy Leeds wool merchant. When he moved from his house in Menston, near Ilkley, the cabinet passed into the hands of the new owner, the well-known music critic Ernest Bradbury and has passed by descent ever since.

ON July 23 Bristol Auction Rooms (15% buyer’s premium) took the second highest price at auction for an oil by Hampshire artist Henry Garland (1854-1900). Back in December 1998 Bonhams Knightsbridge took a premium- inclusive £12,650 for the 3ft 4in by 5ft 7in (1.02 x 1.70m) oil Village Gossips.

WITH a 96 per cent success rate after the June 13 sale, Bristol’s Clevedon Salerooms (15% buyer’s premium) seem to have convinced vendors of the realities of the market which means not everything makes its estimate.

Brown furniture has proved hard to shift at auction in recent months but the success of this George I burr walnut chest on stand offered at the Bristol Auction Rooms on June 18 may signal the tide is turning.

Helped by a £17.425m grant from the National Heritage Memorial Fund – the largest sum it has ever given – the National Trust announced last week that it had bought Tyntesfield, a Victorian neo-gothic country house near Bristol.

Furniture and pictures can usually be relied upon to bag the biggest prices in provincial auctions but while this was so at Bristol Auction Rooms April sale there were also interesting works in some of the other sections.

Echoing encouraging sentiments of provincial auctioneers across the UK, Bristol Auction Rooms specialist David Rees felt “the trade were more comfortable buying for stock” at his March sale than in previous months, adding: “It was the best sale we’ve had since November.”

UK: QUALITY items eagerly contested, patchy bidding on low to middle-range entries – a familiar countrywide pattern was evident at Bristol but it was a very unfamiliar piece which led the day.

Early works in ceramics, brass and elm catch the eye at Bristol success UK: A RARE 17th century coffer, made of elm rather than the more usual oak had a pedigree about as good as it gets for vernacular furniture.

UK: SUCH was the fine condition of this 3ft 3in (99cm) William and Mary oyster veneered walnut chest when it appeared at Clevedon Salerooms on September 2 that two bidders, one on the phone and one in the room, competed for it well beyond its £5000-7500 estimate.

An early 19th century blue transfer printed oval footed bowl, 11in (29cm) wide, depicting the death of Nelson at Trafalgar in 1805 which sold at The Bristol Auction Rooms on July 25.

UK: A George II Irish mahogany centre table, 2ft 8in (81cm) wide, which featured at Bristol Auction Rooms on May 16, attracted interest from an Irish dealer who went to £25,000 (plus 10 per cent buyer’s premium), despite speculation by the auctioneer that the edging may have been altered and the top re-finished.

UK: POP star John Lennon adopted a number of different guises throughout his career in the public eye – likely lad, mystic, cartoonist, photographer, songwriter – and likewise it now appears as though he was just as much of a chameleon in his sartorial life.

UK: ALTHOUGH there were no real star entries at this monthly dispersal, around 727 lots managed to generate a total at £120,00 boosted by a silver section and some pieces of local interest.

UK: AS good-quality traditional antiques become harder to find – no piece of furniture made more than £1500 among the 902 lots at Bristol – collectables are becoming more and more of a commercial proposition at auction.