Bristol

TALISMAN Fairs would like to point out that they are pressing ahead with all their dates in both Bristol and Bath.

First introduced c.1809, the ‘Caramanian’ series represent one of Spode’s most popular early 19th century pattern ranges.

FOR Harvey's read Bristol Cream, but there is far more to this celebrated brand than the nation’s best known sherry.

With only seven others known to exist, this pair of 1750s Worcester gugglets was destined for success when offered on July 22 at Bristol Auction Rooms. Acquired fairly recently by a local private source, the 9in (24cm) high pair were originally estimated at just £400-600.

DRAWING on long-ago mercantile wealth (don’t mention the slave trade or even, these days, tobacco imports) Bristol has for years rewarded visits by dealers looking for fresh material. But of late the city has been raising its profile as a premier league centre for antiques.

Highlight of the remainder of the Roy Mickleburgh collection sold by Bristol Auction Rooms on June 24 was this rare monkey band automaton, c.1870. The nine-piece chamber orchestra includes no fewer than 43 separate movements operated by a French mechanism and is housed in a rosewood veneered two-part case with a 48-note German-made crankwind barrel organ below playing a choice of seven tunes.

THE Fine Art Auction Group, who have been building a network of salerooms in the South East and South West over the past two years, have acquired Bristol Auction Rooms.

IT’S been a long time since any auctioneer chose to illustrate his catalogue front cover with an array of silver candlesticks but this was the rather heartening decision by The Bristol Auction Rooms for their April 8 sale (12.77% buyer's premium inc. VAT) and their enlightened, so to speak, move was rewarded when all the lots, from George IV to 1967, sold within or above the admittedly modest three-figure expectations.

“SELECTIVE” can mean “poor” when auctioneers apply the word to bidding and the downward spiral of brown furniture prices has emphasised this. But it was an accurate enough description of bidding on furniture offered among the 1200 lots at the Clifton rooms, for when there was a piece of unusual quality it sold well.

The 1440 lots of 20th century decorative arts offered on the first day of the September 3,4 sale at the Bristol Auction Rooms (buyer’s premium 12.77%) included a range of ceramics, plus a dozen items of metalware and furniture, but the lot that really made the decorator trade sit up was this 4ft 1in (1.25m) terracotta creation, right, by Goldscheider.

WE are used to seeing one-piece, tabletsigned, Japanese ivories in good condition make anything from £800 up to several thousand pounds at auction. But somewhat more surprising, given the selective state of the general market, was the high selling rate of low-grade okimono, right, at the Clevedon Salerooms (15 per cent buyer’s premium) in Bristol on September 5.

A 19th century Aesthetic movement ebonised Japanesque cabinet was orginally housed in the Yorkshire home of a Mr Mossman, a wealthy Leeds wool merchant. When he moved from his house in Menston, near Ilkley, the cabinet passed into the hands of the new owner, the well-known music critic Ernest Bradbury and has passed by descent ever since.

ON July 23 Bristol Auction Rooms (15% buyer’s premium) took the second highest price at auction for an oil by Hampshire artist Henry Garland (1854-1900). Back in December 1998 Bonhams Knightsbridge took a premium- inclusive £12,650 for the 3ft 4in by 5ft 7in (1.02 x 1.70m) oil Village Gossips.

WITH a 96 per cent success rate after the June 13 sale, Bristol’s Clevedon Salerooms (15% buyer’s premium) seem to have convinced vendors of the realities of the market which means not everything makes its estimate.

Brown furniture has proved hard to shift at auction in recent months but the success of this George I burr walnut chest on stand offered at the Bristol Auction Rooms on June 18 may signal the tide is turning.

Helped by a £17.425m grant from the National Heritage Memorial Fund – the largest sum it has ever given – the National Trust announced last week that it had bought Tyntesfield, a Victorian neo-gothic country house near Bristol.

Furniture and pictures can usually be relied upon to bag the biggest prices in provincial auctions but while this was so at Bristol Auction Rooms April sale there were also interesting works in some of the other sections.

Echoing encouraging sentiments of provincial auctioneers across the UK, Bristol Auction Rooms specialist David Rees felt “the trade were more comfortable buying for stock” at his March sale than in previous months, adding: “It was the best sale we’ve had since November.”

UK: QUALITY items eagerly contested, patchy bidding on low to middle-range entries – a familiar countrywide pattern was evident at Bristol but it was a very unfamiliar piece which led the day.

Early works in ceramics, brass and elm catch the eye at Bristol success UK: A RARE 17th century coffer, made of elm rather than the more usual oak had a pedigree about as good as it gets for vernacular furniture.