UK

Dealers often complain about the way that private bidders get over-excited at auctions and pay ridiculously inflated prices they wouldn’t dream of giving in a gallery. But for once it looks - or rather looked – as if a major player in the trade had suffered a serious attack of auction fever following Jermyn Street agent Guy Morrison’s terse admission that he was now the happy owner of £9.4m Joshua Reynolds (1723-1792) portrait.

This unrecorded, William Billingsley painted campana vase appeared at Woolley and Wallis’s sale in Salisbury on November 28, and not without great controversy.

Light sculpture is what noted potter Margaret O’Rorke calls her distinctive and novel work, which is on exhibition until December 21 at Galerie Besson, 15 Royal Arcade off Old Bond Street, London W1.

George Jones majolica continues to be extraordinarily popular with buyers, both trade and private. Some damage to a George Jones cheese dish and cover offered in Birmingham at Biddle & Webb saw it estimated at £300-500 so it came as rather a surprise when it soared above this.

A small part of the English trade’s history went under the hammer along with the last effects of Leicester dealer Ernest Galinksy at Warner Auctions sale on 31 October.

The book section of a general antiques sale held by Cheffins of Cambridge on November 1 ran to only 58 lots, but this saleroom produces impressive, colour illustrated catalogues and no fewer that a dozen of those lots were illustrated, some of them at full page.

Collectors from Lancashire arrived at the Edinburgh sale of Decorative Arts held by Lyon and Turnbull (15/10% buyer’s premium) on November 7, excited by this silhouette, right, of their favourite ceramic factory.

While provincial auctions often struggle to find enough quality private antique furniture and works of art consignments for their sales, BBR Auctions breweriana sales are going from strength to strength at the South Yorkshire rooms near Barnsley.

This codified sequence of columns, dots and captions is what the superstitious folk of 16th century Italy consulted with more zealotry than a tabloid-reading lottery pundit in search of Mystic Meg.

Manchester City Art Gallery, the underbidder at auction for the lantern which was the original model for Holman Hunt’s The Light of the World, have secured the piece after all. The gallery underbid the lantern, pictured right, when it was sold to a private collector for £46,000 (plus 15% buyer’s premium) on November 1 at Bonhams Knightsbridge.

‘Little mesters’ were the sub-contractors of the Sheffield cutlery industry – self-employed artisans who hired space in large factories to forge, grind and haft their blades, the factory owner receiving a substantial cut from their sale.

Chinese sales at Christie’s South Kensington (17.5/10% buyer’s premium) can always be relied on to produce some good prices during Asia week. While the morning works of art session in their Chinese Ceramics and Works of Art sale, November 8, was quiet, business picked up in the afternoon for the ceramics section.

This 17th century wrought iron Armada chest had stood unopened in the attic of an English country house for 180 years until it was finally unsealed earlier this year and found to contain a mass of papers relating to Dr William Harvey and his brother Eliab which had been deposited there by his descendants in 1821.

The long-awaited opening of the new British Galleries at the V&A last week has restored to the museum and its visitors many of its finest and best loved exhibits in an appropriate yet innovative environment.

The Frederick B. Adams Jnr. library of English & American Literature was sold by Sotheby’s on November 6 and 7. The second day was devoted entirely to Adams’ magnificent Thomas Hardy collection, but among the highlights of the general sale was an inscribed presentation copy of the 1923, first English edition of T.S. Eliot’s The Waste Land, illustrated right, that sold at a higher than expected £80,000 to Peter Harrington.

Robert Somervell’s A Protest against the Extension of Railways in the Lake District, published in Windermere in 1876, contains “articles thereon reprinted from the Saturday Review etc.”, and a nine page preface by one of those who objected to the intrusion of the railways into the Lake District – John Ruskin.

A major name, high quality, freshness to the market and a reasonable estimate are meant to be the all-important keys to success for a picture at auction. At least they used to before the terrorist attacks of September 11.

DECO & MODERNIST FURNITURE: While much of higher-end Deco struggled to find buyers prepared to match the bullish levels seen in recent seasons, there was still some interest in this field, and the odd exception to buck the trend.

John Pearson is to the Newlyn School what Margaret Gilmour is to the Glasgow School – an Arts and Crafts metalworker who specialised in repousee work of naturalistic style.

Like tea caddies in furniture sales, teapots have their own following in ceramics sales like the one at Phillips Leeds, where the 51/2in (14cm) Minton majolica Japanese Actor model, above right, date-coded 1874, made a within-estimate £1100 which took into account some damage to finial and spout.