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To what extent the bouyant market for Gaudy Welsh pottery would become deflated if every American collector realised it was actually made in Staffordshire, England, not Wales, is a pertinent question – given the misty eyed view of Scottish/Welsh/Irish history from the other side of pond.

NOT one of the best silver and jewellery sales ever to have been held at Phillips, Leeds – most entries sold at under £1000 – there was nevertheless some keen buying with a very satisfactory 89 per cent success rate and the occasional prized item.

In a Bloomsbury Book Auctions sale reported earlier (Antiques Trade Gazette No. 1485, April 21, 2001) I mentioned a bid of £2800 on a 1930 (German text) Cranach Press edition of Hamlet, but at Sotheby’s on April 5, as part of the John Gielgud Collection, a copy of the English text version made very much more than that.

UK: SMALLER than usual at 412 lots – the Sussex floods earlier in the year having distracted potential vendors – the March sale at Henry Adams’ Chichester rooms was nevertheless strong on quality, which is what buyers want.

UK: NINETEENTH century genre paintings with strong narrative and moralising elements have not been the strongest performers at auction in recent years.

UK: A CHANNEL Islands collection formed by Sir Martin Le Quesne occupied the first 108 lots of the catalogue issued by Bloomsbury Book Auctions for their March 15 sale.

There was the familiar wide mix and flash of quality at this Dales auctioneers’ weekly sale, where the top price came from a piece over the Pennines – an 18th century yew wood dresser base that had originally graced a pub in Blackpool.