Jewellery

Jewellery and silver items on offer in London this summer from auction houses and dealers.

A snake ring made by Clyde for Bonnie heads RR Auctions' memorabilia sale on June 22

The jewellery sale at Il Ponte in Milan on May 17-18 will include items with provenance to a number of Italian aristocratic families.

The rivière – one of the most popular and enduring styles of necklace to come out of the Georgian period – features an endless line of matched or subtly graduated gems set within inconspicuous collets. However, as Marielle Whiting at Woolley & Wallis of Salisbury points out, seldom are they equals.

Much like René Lalique, Louis Comfort Tiffany’s successful career as a glassmaker overshadowed his genius as a goldsmith. Both men created jewellery that have come to define Art Nouveau in France and North America.

This Tiffany gold necklace and earclip suite composed of textured rose petal links by Angela Cummings (c.1944) sold for £10,200 at Bonhams Knightsbridge (25/20/12% buyer’s premium) on March 15.

A textbook Renaissance style jewel by Carlo Giuliano (1831-95) led a strong jewellery offering at Thomas Watson (24% buyer’s premium) in Darlington on March 21.

An Edwardian emerald, pearl and diamond pendant by Carrington & Co, London sold for £24,500 (estimate £6000-10,000) to an online bidder at Stacey’s (20% buyer’s premium) in Rayleigh on March 20. The central heart-shaped old-cut stone weighs 3.5cts and was given a colour grade of K/L and a VS clarity.

A late 19th century/early 20th century ruby cameo and baroque pearl pendant once formed part of the celebrated jewellery collection assembled by Ganna Walska (1887-1984). It sold for a multi-estimate £55,000 at Sotheby’s (25/20/12% buyer’s premium) sale of fine jewels in Bond Street on March 22.

In the chapter titled ‘Modern Jewellery’ in her taste-making book, The Art of Beauty (1878), English writer Mary Eliza Haweis references the “artistic appreciation of good forms and good work” she found at Messrs Phillips of Cockspur Street.

From noble jewels to semi-precious gems, a show in May will celebrate a ‘golden period’ of Portuguese jewellery in the 18th century. Here we preview the exhibition and then present other recent and forthcoming sale highlights.

Enforcing its Scottish significance, a Renaissance gold pendant known as the Fettercairn Jewel has been bought by the National Museums Scotland.