Pendant

The career course of Edith Robinson (1862-1929), a London art teacher and painter of chocolate box watercolours was changed in 1893 when she and her new husband, the Stamford artist Nelson Dawson (1859-1941) attended a series of lectures given by the enameller Alexander Fisher.

His daring organic sculptural designs re-energised the British jewellery scene in post-war Britain, now Andrew Grima’s (1921-2007) creations are leading the revival of ‘60s and ‘70s designer jewellery on the secondary market.

The central stone to this Art Deco seed pearl and diamond pendant is an elongated cushion-shaped pink sapphire, weighing about 25ct.

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.

Exceptional examples of the glyphic arts – the apotheosis of jewellery collecting during the Grand Tour era – are rising high in the saleroom once more.

According to a popular story, alexandrite, one of the three main varieties of chrysoberyl, was discovered in the Urals by the Finnish mineralogist Nils Gustaf Nordenskiöld (1792-1866) and named in honour of the future Tsar Alexander II of Russia.

This intriguing rock crystal pendant may have been used as a ‘charmstone’. It follows the same form as the famous Glenorchy Charmstone in the National Museums of Scotland and may too have once adorned an early reliquary.

This rare late-17th century 4in (9.5cm) devotional pendant displays the craft of 'scherenschnitte' (scissor cuts).

Thirty pieces of antiquarian jewellery discovered next to a joint of meat in an old freezer were sold for £68,000 (plus 24% buyer's premum) at Kidson-Trigg near Highworth, Swindon.

The November 18 sale titled California Jewelry held by Doyle New York on the West Coast includes a group of French Art Nouveau pieces described as ‘Property from an Important Jewel Collector’. Several display the plique-à-jour (‘letting in daylight’) enamelling technique revived in the late 19th century.

A recent sale at Dix Noonan Webb (20% buyer’s premium) included a private collection of antique jewels, gold and enamelled boxes and pocket watches.

Chosen as the front-cover illustration to Paul Atterbury and John Benjamin’s 'The Jewellery and Silver of HG Murphy' (2005), this gemset pendant also provided Woolley & Wallis’ latest Jewellery and Watches sale with its showcase lot.

Enforcing its Scottish significance, a Renaissance gold pendant known as the Fettercairn Jewel has been bought by the National Museums Scotland.