Inkwell

The National Trust has acquired a silver inkstand used by Viscount Castlereagh (1769-1822), the Anglo-Irish politician and statesman.

THIS exquisite George III silver gilt inkstand, right, by John Houle was commissioned for the phenomenally wealthy William Harry Vane (1766-1842), the first Duke of Cleveland, whose estate and personal assets were valued well in excess of £2m.

THE importance of colour to collectors of saltglaze ceramics was emphasised at BBR's (10% buyer's premium) March 7 500-lot specialist sale near Barnsley when the orangey-brown hue and unusual subject matter made an Ugly Woman saltglazed inkwell one of the most desirable entries.

On a day when early pieces took the top prices at Mallams (15% buyer's premium) sale on March 3, one of the earliest was this late 16th century Venetian bronze inkwell, right.

Although he remains a somewhat shadowy figure, during the last 25 years George Bullock (1777/8-1818) has emerged as perhaps the foremost English designer and cabinet maker of the early 19th century. Amongst many questions still remaining unanswered about Bullock’s life are how much he actually designed himself (no records of his firm survive) just who was his partner Colonel Charles Fraser, which country houses commissions did he undertake, and did he commit suicide?

Christie’s have helped negotiate the sale to the Victoria and Albert Museum of the Castlereagh gold inkstand created by Paul Storr and Philip Rundell for the British diplomat Viscount Castlereagh (1769-1822) in 1818.