Decorative Art

This 10in (25cm) Burleigh Ware pottery wall plate, by Charlotte Rhead established a new auction record for the industrial ceramicist when it sold for £2900 (plus 10 per cent buyer’s premium) at Andrew Hartley Fine Arts on October 8. Consigned to the Ilkley rooms via a local house clearance, the vibrantly-coloured plaque carried the pattern number 4350, a design previously known only from pattern books dated to c.1928-29.

Bonhams weren’t the only London salerooms to be offering a good selection of antique glasswares. On October 9, just a week after the Harvey’s dispersal, Christie’s South Kensington (17.5/10% per cent buyer’s premium) had a mixed-owner 280-lot selection of British and Continental glass to offer as part of their monthly At Home series.

An early autumn mixed hors d’oeuvres of silver and European ceramics went under the hammer at Sotheby’s Olympia (20/12% buyer’s premium) on October 2. Roughly two-thirds of the 375 lots were devoted to silver and vertu, and the remaining third to ceramics, but it was the latter that provided half of the ten highest prices, including what proved to be very much the top lot of the day.

First introduced c.1809, the ‘Caramanian’ series represent one of Spode’s most popular early 19th century pattern ranges.

AMONG the London salerooms offering a good selection of antique glasswares in the last fortnight, Christie’s South Kensington had a mixed-owner 280-lot selection of British and Continental glass to offer as part of their monthly ‘At Home’ series.

Ian Turner’s 142-lot collection of Monart sold by Christie’s South Kensington was the largest auction dispersal of this colourful Scottish art glass to date.

Greater levels of trade and private interest in what were fairly routine silver outings at Christie’s South Kensington and Bonhams Knightsbridge on September 9 gave specialists at both houses cause for optimism.

Victorian Decorative Glass: British Designs 1850-1914 by Mervyn Gulliver, published by Schiffer Books, distributed by Bushwood Books. ISBN 0764315988 £59.95

AS WELL as their specialist musical instruments and clock specialist sales, the Bath auctioneers Gardiner Houlgate have been holding pioneering bi-annual sales devoted to Clarice Cliff and decorative arts sales for the past eight years.

John Wilkes Booth, Lee Harvey-Oswald – political assassins have been among the most vilified men in American history. However there is something distinctly British about the strong sympathy vote received by the one man who has successfully done away with a Prime Minister of this country. The Staffordshire potters even made a jug to mark his passing.

At just over $12m (including premium) US auction house Doyle New York made a significant contribution to the series of Asian Art sales held in Manhattan last week with their September 16 auction of the F. Gordon Morrill collection of Chinese porcelain. They found buyers for 82 per cent of the 115 lots, but far and away the star attraction was this large 141/2in (37cm) high Yuan dynasty blue and white pilgrim flask of c.1345.

CHISWICK-based dealer in studio pottery, Joanna Bird, presents her seventh annual exhibition at Browse & Darby, 19 Cork Street, London W1, from September 15 to 20, centred on the work of eight leading contemporary potters, Elizabeth Fritsch, Julian Stair, Edward Hughes, William Plumptre, John Spearman, Daniel Fisher, Michael O’ Brien and Danlami Aliyu.

Monart glass specialist and collector Ian Turner is a familiar name to many in the trade, having devoted the last two decades to buying and researching this vividly coloured 20th century Scottish art glass. In addition to building a 260-piece collection, he has also contributed to several books including Ysart Glass, edited by Frank Andrews, 1990.

THE Wallace Collection’s exhibition From Palace to Parlour, A Celebration of 19th century British Glass may not shed any new academic light on the subject but it draws attention to a period often ignored by traditional glass collectors: the 19th century. “The 19th century has been completely overlooked,” says independent scholar and glass consultant Martine Newby who curated the exhibition on behalf of the Glass Circle.

IN A month when keen collectors and scholars of glass – that ancient but sometimes-overlooked fraternity – are coming into the picture in a big way, glass dealer turned specialist fairs organiser Paul Bishop is holding his second Cambridge Glass Fair.

Two leading Kensington Church Street glass dealers are to hold their own selling show, describing it as “a ground-breaking exhibition shining a light on a hitherto unrecognised area of British cut glass”.

IT WAS the Sotheby’s sale of July 10 that included the largest and most significant portion of Churchilliana on offer this summer, but it was not the only sale to serve the market, as this report shows.

Goldsmiths Hall, the home of the venerable City of London Livery Company, is the venue to check out the latest in contemporary silverware and jewellery next month. Billed as ”the Chelsea Flower Show of the silver and jewellery world” and celebrating its 21st anniversary, the fair will feature 90 exhibitors representing the cream of British talent from these fields with a wide range of work spanning cutting edge to more traditional designs.

SCOTTISH provincial silver is one of the only consistently strong areas of the silver market and, if recent sales in Edinburgh are anything to go by, Banff silver is what everyone wants.

Italian Medals – c.1530-1600 by Philip Attwood, British Museum Press. £250 hb, two volumes. ISBN 01741 08618. Available from Oxbow (+ 44 [0]1865 241249) or Thomas Heneage Art Books, 42 Duke Street, London SW1 6DJ (+ 44 [0]20 7930 9223.