19th Century British Art

Drawing interest from the US was a portrait of a fierce-looking Scottish laird by John Pettie (1839-93).

A lengthy provenance was key to the success of a large watercolour by the 19th century artist David Cox (1783-1859).

A 19th century masterpiece by William Powell Frith (1819- 1909) that serves as a who’s who of influential Victorians is on offer from a new St James’s gallery for £10m.

Edward Coley Burne-Jones (1833-98) was the toast of London during the latest Victorian art sales held in the capital, where buyers continued to covet blue-chip Pre-Raphaelite art, market-fresh material – and invest in female names.

A trademark nocturnal scene by Victorian painter John Atkinson Grimshaw (1836-93) got away on low estimate for £80,000 at John Nicholson’s (25% buyer’s premium) of Haslemere in Surrey.

The Victorian Conservative politician Lord Coventry is believed to have commissioned this portrait of favourite hounds Rambler and Marksman.

A portrait of Thomas Cobley Gent of Buttsford, Colebrooke (d.1844), is believed to portray ‘Old Uncle Tom Cobley’, from the tradition song Widecombe Fair, as a young boy.

A marine scene by Alfred Priest (1810-50) is among the highlights at English and Continental Antiques’ final exhibition of the year.

British watercolours and oils from the 18th and 19th centuries grabbed bidders’ attention at a recent Oxford auction, proving there is life in this traditional market given the right artists and good provenance.

View of a Garden by Thomas Churchyard of Woodbridge (1798-1865) is offered for £1400 in the exhibition Artist on the Deben, which features 19th century Suffolk artists.

Distinctly patriotic in nature, stage and mail coach depictions started c.1815, reaching peak popularity in the later 1820s with the artist James Pollard (1792-1867).

Two contrasting marine scenes, encapsulating the unpredictable nature of the sea, were offered at a recent sale at Mitchells (20% buyer’s premium) of Cockermouth in Cumbria.

A painting by the Victorian Neo-classicist painter John Godward (1861-1922) not seen on the market since 1925 is going under the hammer at Bonhams in New Bond Street on September 26.

It’s fair to say the work of Victorian animal painter Sidney Cooper (1803-1902) is not flavour of the month.

A small but enigmatic study attributed to Victorian artist Matthew Ridley Corbet (1850-1902) drew dramatic competition at John Nicholson’s in Fernhurst, Surrey.