Fine Art

THE Staithes Group, the band of artists who made the North Yorkshire fishing village their home before some moved to the South West and Newlyn, are the subject of an impressive exhibition put together by Cumbrian dealer Peter Haworth (Tel: 015395 62352).

A large desert Caravane by Victor Huguet (c.1895), 4ft 4in x 6ft 8in (1.31 x 2.02m) and inspired by Fromentin, led the Delorme-Fraysse picture sale on February 12 with €82,000 (£51,200).

Post-War sales at Christie’s (17.5/10% buyer’s premium) tend to be more predictable, less mercurial events than their cool contemporary outings and the established reputations of the artists invariably guarantee a procession of solid six-figure results.

Sotheby’s July 11 Old Master sale will include the re-discovered Peter Paul Rubens (1577-1640) oil on panel The Massacre of the Innocents, pictured right.

Against the background of the London Impressionist, Modern and Contemporary sales both the major auction players held specialist Surrealist evening sales – Christie’s (17.5/10% buyer’s premium) on February 4 and Sotheby’s (20/15/10% buyer’s premium) on the following evening of February 5.

In 1805, William Blake was commissioned by Robert Harley Cromek to make a set of 40 drawings to illustrate Robert Blair’s poem The Grave, 20 of which Cromek proposed to have engraved by Blake.

Anyone looking at this small 19th century still life painting, right, for the first time could be forgiven for rubbing their eyes with disbelief to hear that East Sussex auctioneers Gorringe’s (15% buyer’s premium) had allocated it an estimate of £20,000-30,000 at their January 29-31 sale in Lewes.

Rise of Winifred Nicholson goes on apace with amazing bid of £100,000 for portrait of Ben: Over the last two or three years Winifred Nicholson (1893-1981), the first wife of Ben Nicholson, has become an increasingly significant figure in the Modern British market, culminating in the record £52,000 paid last July at Phillips for one of her trademark window still lives.

Buying art as an investment has always been a perilous business. Back in the 1920s during the so-called Etching Boom speculating collectors were prepared to pay hundreds of pounds – ie more than the price of an average London house – for single prints by ultra- fashionable artists such as Muirhead Bone, David Young Cameron and James McBey.

The London art market received a major lift in the salerooms last week when Sotheby’s and Christie’s attracted remarkably strong levels of international demand for their February round of Impressionist, Modern and Contemporary auctions.

IN 1954 the painter and printmaker, Philip Reeves (born 1931), being interviewed for a post as a lecturer at the Glasgow School of Art, produced a letter of reference from the artist Robert Austin (1895-1973).

FRANCE: FRANCIS FRITH (1822-98) was the focus of attention of Beaussant-Lefèvre’s sale of 19th century photographs at Drouot on January 25, as expert Pierre-Marc Richard claimed a world record auction price of €23,000 (£14,400), almost double-estimate, for a Francis Frith photograph: an 1858 view of The Pyramids of El-Geezeh from the south-west (pictured).

Exhibitions outside London: Specialist print dealer Elizabeth Harvey-Lee (1 West Cottage, Middle Aston Road, North Aston, Oxon OX25 5QB. Tel: 01869 34 7164) has built up an impressive reputation for producing informative, well-illustrated stock catalogues.

Last summer Christie’s Old Master drawings expert Nicolas Schwed was sitting at his desk in Paris checking through his e-mails when he came across this 460-year-old face staring back at him from his computer screen.

The Maritime sale held by Bonhams (15/10% buyer’s premium) in their New Bond Street rooms on January 16 was a sizeable 400-lot affair divided roughly 50/50 into paintings and maritime artefacts – the latter featuring anything from ship models to scrimshaw, divers’ helmets to sextants.

MAYFAIR art dealers Agnew’s are hotly contesting claims for a £1.5m refund over an Old Master which is at the centre of a dispute over who painted it.

GERMANY: Joseph Beuys’ Sonnenkreuz (1947-48), a patinated bronze sculpture 15 x 81/4in (37 x 21cm), evoking a crucifix against a radiating sun, sold comfortably over estimate for DM200,000 (£64,000) at the Lempertz Contemporary Art sale in Cologne on December 5.

BELGIUM (£1=BFr63): Antwerp's Campo Vlaamse Kaai enjoyed a pleasant pre-Christmas surprise at their two-day sale on December 11/12 when A Hostage, a large work by Edmund Blair Leighton (1853-1922) measuring 3ft 8in by 4ft 10in (1.12 x 1.48m), featuring a girl leaning on a wall, gazing wistfully out to sea, raced to BFr3.1m (£49,200) against an inexplicably low estimate of BFr8000-12,000.

LONDON is especially strong on niche events and specialist fairs do not come much more quintessentially English than The Watercolours and Drawings Fair which will be held for the fourth time at the Park Lane Hotel, Piccadilly, London W1 from January 31 to February 3.

PARIS: A prestige series of auctions held by Tajan at the Hôtel George V just before Christmas (December 17-19) yielded just under £7m hammer.