Oil painting

LONDON: Highlight of the German and Austrian series from the Marvin & Janet Fishman Collection was Egon Schiele’s oil on canvas Portrait of the Art Dealer Guido Arnot, 4ft 7in x 3ft 7in (1.40 x 1.09m), signed and dated 1918 which sold at Sotheby’s in London for £6.5m (plus premium), more than twice its top estimate.

UK: PAUL Henry’s A Village in Connemara which sold for £58,000 at Edgar Horns in Eastbourne on July 12. The 16 x 24in (41 x 61cm) oil on canvas is fully signed and still bears an original paper label on the stretcher with title and artist, though the frame is a replacement.

THE second week of London’s prestige midsummer sales saw the Modern given way to the traditional with a flurry of exceptional prices for Old Master paintings and drawings and Renaissance works of art.

US & FRANCE: TWO works by Philippe de Champaigne have been withdrawn from the sale of the Karl Lagerfeld collection, in New York on May 23, and offered to the French State.

UK: A Shining Palace, a 2ft 1/4in by 20in (62 x 51cm) oil on canvas view of Venice, signed by William John Leech (1881-1968) had been consigned to a sale conducted by Mainstreet Auctions in the village of Saint Boswells on March 4, 2000 where it was spotted by a runner from the south east of England.

From a Ligurian Spring by Henry Herbert Lathangue (1859-1929) sold for £330,000 plus 15 per cent premium at Bearne’s Spring Seasonal Sale, Exeter on March 1.

UK: While the art market has been quieter in the provincial salerooms since the New Year, an exception was provided by this oil on canvas View of Venice at the Entrance to the Grand Canal, which appeared at Lawrence's of Crewkerne on February 17.

EIRE: ONE of a number of remarkable prices achieved at James Adam & Bonhams' Irish Art sale on December 8 was the record IR£50,000 (£41,665) given for Harry Kernoff's 1936 oil of a Dublin cab.

UK: Charles Napier Hemy’s seascape Life 4ft 6in x 6ft (1.24m x 1.83m), signed and dated 1913, with reverse inscription, set a record for Salisbury auctioneers Woolley & Wallis on October 12 when it sold for a double mid-estimate £110,000 plus premium.

US: How do you titillate an ocelot? You oscillate its tit a lot. Kenny Everett’s immortal insight into the sexual life of one of the obscurer members of the cat family is usually quite difficult to drag into an auction report. But how can titillation be resisted when someone is prepared to pay $525,000 (£324,075) for this painting of an ocelot at Sotheby’s New York (15/10 per cent buyer’s premium).

SWITZERLAND: NOWADAYS the trade makes much of its living out of putting pictures through the salerooms, but there can be few more spectacular profits in recent months than the £200,000 St James’s dealer David Mason made out of this Albert Anker (1831-1910) oil, right, Strickendes Mädchen which sold for SFr550,000 (£239,130) at Christie’s Zurich (15/13/7.5 per cent buyer’s premium) on March 23.

Sotheby’s evening sale of Contemporary art in New York on November 13 achieved the highest total for any auction in the company’s history.