Oil, Acrylic paintings & Mixed Media
Paintings are usually referred to in terms of the medium used. Oils on canvas or board remain the most commonly seen works on the market but many modern artists have favoured acrylics or combinations of different paints.
Driving up Walpole
25 April 2002One of the earliest known portraits of Sir Robert Walpole, England’s first Prime Minister, is to be sold at Cheffin’s Cambridge salerooms on May 14, as part of the collection of Cambridge academic Sir John Plumb.
£1.7m reject returns
24 April 2002ONE of the most important oils by Irish artist Louis le Brocquy (b.1916) is to return to Ireland after spending nearly 50 years in Italy.
The coming woman – and one to watch out for
17 April 2002THE names of two women artists, one very well known, the other undeservedly obscure, provided talking points at two provincial sales in March.
...and in Amsterdam
27 March 2002Look at the differences between the modern-day perspective of Amsterdam’s Nieuw Voorburgwaal, and the 1759 depiction by Dutch artist Jan de Beyer (c.1703-85) to be offered for sale from the Anton Dressman collection at Christie’s Amsterdam on April 16 with an estimate of €45,000-75,000.
You can still get value out of the Victorians
26 March 2002What will £1500 buy in today’s picture market? If quality is going to be my criterion and oil painting is my medium, then not very much, one might be forced to conclude after reading the latest report on how the market is polarising between an increasingly expensive best and a totally undesirable rest.
Prado loans Philip IV of Spain’s portrait to Parham House
22 March 2002A ROYAL remarriage will take place at Parham House in Sussex at the end of this month between King Philip IV of Spain and Elizabeth of France.
US link lifts Peele to five times hopes
22 March 2002Artists with any kind of American connection almost invariably attract an extra level of interest when their work comes up for sale at a UK provincial saleroom. This was certainly the case when this 2ft 53/4in by 223/4in (75 x 57cm) genre canvas, right, by John Thomas Peele (1822-1897) came up for sale at the Heathfield, East Sussex rooms of Watsons (10% buyer’s premium) on March 7.
Montague Dawson and Americana survive squalls
14 March 2002NEW YORK: MARINE paintings are a specialist area which have received plenty of attention from auction houses eager to tap into the wealth of those rich enough to enjoy mucking around in boats.
Scene set for Dutch topography
07 March 2002HOLLAND: IN honour of the Netherlands’ long tradition of landscapes and town scenes Christie’s Amsterdam (buyer’s premium 20.825 per cent) had a topographical theme to its pictures sale on January 22.
St Francis fires up Continental trade
07 March 2002THE relative strength of Old Master paintings in comparison to other sectors of the market has been noted at a number of recent auctions, but this new-found strength, it seems, is not just restricted to top-end sales in London and New York.
Mucha and more
04 March 2002A large desert Caravane by Victor Huguet (c.1895), 4ft 4in x 6ft 8in (1.31 x 2.02m) and inspired by Fromentin, led the Delorme-Fraysse picture sale on February 12 with €82,000 (£51,200).
Lost Rubens could make as much as £20m
04 March 2002Sotheby’s July 11 Old Master sale will include the re-discovered Peter Paul Rubens (1577-1640) oil on panel The Massacre of the Innocents, pictured right.
Bacon and Rothko works live up their reputations
04 March 2002Post-War sales at Christie’s (17.5/10% buyer’s premium) tend to be more predictable, less mercurial events than their cool contemporary outings and the established reputations of the artists invariably guarantee a procession of solid six-figure results.
Winifred’s winner
15 February 2002Rise of Winifred Nicholson goes on apace with amazing bid of £100,000 for portrait of Ben: Over the last two or three years Winifred Nicholson (1893-1981), the first wife of Ben Nicholson, has become an increasingly significant figure in the Modern British market, culminating in the record £52,000 paid last July at Phillips for one of her trademark window still lives.
The American touch of gold
15 February 2002Anyone looking at this small 19th century still life painting, right, for the first time could be forgiven for rubbing their eyes with disbelief to hear that East Sussex auctioneers Gorringe’s (15% buyer’s premium) had allocated it an estimate of £20,000-30,000 at their January 29-31 sale in Lewes.
Gazette ad made high ransom for Hostage
31 January 2002BELGIUM (£1=BFr63): Antwerp's Campo Vlaamse Kaai enjoyed a pleasant pre-Christmas surprise at their two-day sale on December 11/12 when A Hostage, a large work by Edmund Blair Leighton (1853-1922) measuring 3ft 8in by 4ft 10in (1.12 x 1.48m), featuring a girl leaning on a wall, gazing wistfully out to sea, raced to BFr3.1m (£49,200) against an inexplicably low estimate of BFr8000-12,000.
Sironi sets record as Italian buyers rally to Futurist past
23 January 2002“Fascism, charged with Idealistic values, is applauded by all of those who are legitimately able to call themselves Italian poets, novelists and painters. We are sure that in Mussolini we have the Man who will know how to value correctly the force of our Art dominating the world.”
Old Masters
16 January 2002The Tower of Babel was a popular subject with Flemish artists, and with the Louvain-born Lucas van Valkenborch (c.1530-97) in particular. He painted at least four versions, to be found in Munich, Mainz, the Louvre, and in the Beaussant-Lefèvre saleroom at Drouot on December 14, when an oil on panel Tower dated 1587, 28 x 35in (71 x 90cm), spiralled six times over estimate to Fr8.2m (£781,000), establishing an auction record for the artist.
Resurfaced Rembrandt set to be star of Maastricht at $40m
15 January 2002BOUND to be a highlight at TEFAF Maastricht in March is Rembrandt’s painting of the goddess Minerva which will be offered by New York dealer Otto Naumann for $40m.
A Golden Age’s spontaneous charms
04 October 2001COPENHAGEN: Combining the current commercial attractions of Denmark’s so-called Golden Age painters of the early 19th century with plein air oil sketches by artists made in Italy during the same period, an intriguing group of small canvases by three, albeit relatively minor Danish Golden Age artists sketching in Italy proved to be a predictably desirable target on the second day of Bruun Rasmussen’s (25% buyer’s premium) September 3-5 sale in Copenhagen.
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