John Constable

A painting that dealer Philip Mould twice bought and sold more than 15 years ago has been attributed to John Constable in the first episode in the new series of the BBC’s 'Fake or Fortune?'.

A preparatory sketch by John Constable was knocked down for £720,000 at Bonhams earlier today.

A sketch for one of John Constable celebrated paintings has been rediscovered after more than 70 years and is estimated to take £200,000-300,000 in Bonhams Old Master auction next month.

Christie’s have announced that a major landscape by John Constable will be among the works on offer at their Defining British Art sale in London this summer.

A John Constable (1776-1837) oil sketch drew prolonged competition at the latest auction held at Exeter saleroom Bearnes Hampton & Littlewood.

Three years after Christie’s sold an earlier version for £20m, a second version of John Constable’s (1776-1837) The Lock is being offered at Sotheby’s Old Master & British Paintings Sale on December 9.

In the 1984 book ‘The Late Paintings and Drawings of John Constable’ by Graham Reynolds, a pencil drawing of the back and shoulders of the artist’s wife Mrs Maria Constable (nee Bicknell) is described as ‘whereabouts unknown’.

A small painting bought as part of a £30 “job lot” at auction has turned out to be an original by the 19th century British artist John Constable and valued at £250,000.

IT was, perhaps, a telling sign of the current shortage of high-quality, market-fresh Old Master paintings in the salerooms that Bonhams (19.5/10% buyer’s premium) July 7 Old Master Paintings sale should be headed by this hitherto unrecorded John Constable (1776-1837) plein air oil on canvas sketch, right, of the artist’s home village, East Bergholt.

The claim against London art dealers Agnews over a painting formerly attributed to Constable has been settled out of court. Sir Simon Day launched the claim over a series of free valuations carried out on the painting – Hampstead Heath: Branch Hill Pond – from 1975 until the late 1990s.

THIS unrecorded portrait by John Constable, estimated to make up to £80,000, was discovered by East Anglian auctioneer and fine art broker John Vost during a routine valuation at a house on the Suffolk/Norfolk border.

Dealers often complain about the way that private bidders get over-excited at auctions and pay ridiculously inflated prices they wouldn’t dream of giving in a gallery. But for once it looks - or rather looked – as if a major player in the trade had suffered a serious attack of auction fever following Jermyn Street agent Guy Morrison’s terse admission that he was now the happy owner of £9.4m Joshua Reynolds (1723-1792) portrait.