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John Constable
John Constable (1776-1837) became famous for his Suffolk landscapes and cloud studies and is a major name in 18th and 19th century British art.
Rediscovered Constable landscape offered at Sotheby’s Old Masters sale
01 November 2017A recently rediscovered landscape by British painter John Constable (1776-1837) will go under the hammer at Sotheby’s next month.
John Constable view of The Thames emerges at Oxford auction
11 October 2017Oxford saleroom Mallams will offer a John Constable (1776-1837) landscape drawing on October 18. It will be estimated at £12,000-15,000.
BBC’s 'Fake or Fortune?' uncovers £2m Constable sketch after it “slipped through the fingers” of dealer Philip Mould
20 August 2017A painting that dealer Philip Mould twice bought and sold more than 15 years ago has been attributed to John Constable in the first episode in the new series of the BBC’s 'Fake or Fortune?'.
Bonhams sells John Constable’s Flatford Lock sketch at £720,000
08 December 2016A preparatory sketch by John Constable was knocked down for £720,000 at Bonhams earlier today.
Constable sketch rediscovered after more than 70 years offered at Bonhams auction
17 November 2016A sketch for one of John Constable celebrated paintings has been rediscovered after more than 70 years and is estimated to take £200,000-300,000 in Bonhams Old Master auction next month.
John Constable ‘six-footer’ headlines Christie’s British art auction
26 May 2016Christie’s have announced that a major landscape by John Constable will be among the works on offer at their Defining British Art sale in London this summer.
Constable sketch brings £252,000 in Exeter
13 October 2015A John Constable (1776-1837) oil sketch drew prolonged competition at the latest auction held at Exeter saleroom Bearnes Hampton & Littlewood.
A second turn of The Lock – Constable heads to Sotheby’s with £8-12m estimate
06 October 2015Three years after Christie’s sold an earlier version for £20m, a second version of John Constable’s (1776-1837) The Lock is being offered at Sotheby’s Old Master & British Paintings Sale on December 9.
Constable family portrait rediscovered
24 June 2015In the 1984 book ‘The Late Paintings and Drawings of John Constable’ by Graham Reynolds, a pencil drawing of the back and shoulders of the artist’s wife Mrs Maria Constable (nee Bicknell) is described as ‘whereabouts unknown’.
£30 box of bits included a £250,000 Constable
09 September 2013A small painting bought as part of a £30 “job lot” at auction has turned out to be an original by the 19th century British artist John Constable and valued at £250,000.
Fresh Constable is irresistible
20 July 2004IT was, perhaps, a telling sign of the current shortage of high-quality, market-fresh Old Master paintings in the salerooms that Bonhams (19.5/10% buyer’s premium) July 7 Old Master Paintings sale should be headed by this hitherto unrecorded John Constable (1776-1837) plein air oil on canvas sketch, right, of the artist’s home village, East Bergholt.
Agnews case settled out of court
19 November 2002The claim against London art dealers Agnews over a painting formerly attributed to Constable has been settled out of court. Sir Simon Day launched the claim over a series of free valuations carried out on the painting – Hampstead Heath: Branch Hill Pond – from 1975 until the late 1990s.
Coming Up in London
28 May 2002THIS unrecorded portrait by John Constable, estimated to make up to £80,000, was discovered by East Anglian auctioneer and fine art broker John Vost during a routine valuation at a house on the Suffolk/Norfolk border.
The strange case of the dealer who went over the top
13 December 2001Dealers often complain about the way that private bidders get over-excited at auctions and pay ridiculously inflated prices they wouldn’t dream of giving in a gallery. But for once it looks - or rather looked – as if a major player in the trade had suffered a serious attack of auction fever following Jermyn Street agent Guy Morrison’s terse admission that he was now the happy owner of £9.4m Joshua Reynolds (1723-1792) portrait.
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