Lithograph

The weighty three-dimensional forms for which Henry Moore (1898-1986) is best known are the subject of his 1940s lithograph, Sculptural Objects, offered in an exhibition at Eames Fine Art.

This large lithograph forms part of the Weather Series, a suite of prints created by David Hockney (b.1937) in 1973.

The British Museum has added this rare hand-coloured lithograph to its two-million-strong print collection after securing it at an auction in west London.

Much of Paula Rego’s (b.1935) work is concerned with narrative, as seen in this limited-edition lithograph of a girl reading a book.

Original lithographs by Joan Miró and Marc Chagall star at Eames Fine Art’s exhibition 'Behind the Mirror'. Held at the Bermondsey galley from August 8-September 1, the show is named for the magazine, Derrière le Miroir, the leading modern art publication in 20th century Paris along with Verve.

Edward Bawden (1903-89) produced his celebrated print, Liverpool Street Station, in 1961. He knew the station well – using it regularly when travelling between London and his home in Great Bardfield, Essex.

When it comes to buying limited-edition prints by LS Lowry (1887-1976), those produced by one publisher in particular stand out above the rest for collectors.

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.

Just a month after the Second World War, Pablo Picasso (1881-1973) was in Paris working at the lithography workshop of Fernand Mourlot (1895-1988). It was the beginning of a collaboration that would last almost three decades and produce more than 400 different graphic images and editions.

Shown here is one of 25 coloured litho plates that illustrate Sir Charles Doyly’s Views of Calcutta and its Environs, a large folio work published in 1848.

Seen here is one of 13 coloured lithographs by Marc Chagall that make up Tales from the Arabian Nights, a special, deluxe portfolio printed by Albert Carman and published by Pantheon Books in New York in 1948.

A lithograph of David Roberts’ (1796-1864) lost painting The siege and destruction of Jerusalem by the Romans under the command of Titus took top honours at Staffordshire auction house Cuttlestones (17.5% buyer’s premium) on March 2-3.