Prints

OFFERED by Christie’s New York on June 25 was a magnificent unbound set of the plates that make up Audubon’s great Birds of America (1827-38) that came from the library of the Dukes of Saxe-Meiningen in Thuringia.

FOR their selling exhibition of 70 Japanese woodblock prints to the end of November, the Japanese Gallery at 66D Kensington Church Street, London W8 have chosen the theme Snow, Moon & Flowers.

RIGHT: Indoor Athlete, a signed “first stone” lithograph of 1921 by American artist George Bellows, which made $13,000 (£7065) in a May 21-23 sale held by Northeast Auctions of Portsmouth, New Hampshire.

THESE two half-length images of women, right, could hardly be more different in date or technique, but their prices proved as uncannily similar as their poses when they came under the hammer at recent fine art auctions.

THE considerable coverage given to Asia Week in London, on these pages and in the national press, rather neglected one gallery which was bringing the art of the Orient to London long before the Asia week promotion was thought of.

OVER 600 lots of ‘Old Master through Contemporary Prints’ were offered by Swanns on May 6 and in the former category, Dürer and Rembrandt figured prominently among the higher priced lots.

OVER a period of 30 years, the late Sir Charles Clarke of Broadhurst Manor in Sussex built up a remarkable collection of engravings, drawings and other material by Edouard Travies. He came to be recognised as the leading authority on the artist and his collection of Travies lithographs of La Chasse and other similar suites of plates is perhaps the finest ever to have come onto the market.

THIS punting scene by Whistler is one of some 3000 additional original and reproduction etchings and engravings, mostly full-page and many mounted and titled in ink as well as being mounted, where possible opposite the relevant text, that were to be found in an extra-illustrated 1880, third edition of Philip G. Hamerton’s Etchings & Etchers seen at Bonhams on May 6.

ONE of the Thirty-One Original Etchings of Views of Norfolk by John Crome, a portfolio collection issued in 1821 by Freemans of Norwich, that sold for £3200 to an American collector in a Christie’s South Kensington sale of April 29.

IN a general sale held by Bloomsbury Auctions on May 13, a copy of J.M. Richards’ High Street of 1938 that was signed on the front free endpaper by W.J. Bassett-Lowke, the proprietor of one of the shops illustrated in the work’s coloured litho illustrations by Eric Ravilious, was sold for £1150.

A travel sale held by Christie’s South Kensington on April 29 was a mix of books, prints and pictures and seen here are two items from a section of that sale devoted to the Alpine regions.

ALEXANDER Walker, who died last year at the age of 73, was the film critic of London’s Evening Standard for more than 40 years and among the well-known names in the film world. Not so well known is that he was a noted collector of modern art.

UNLIKE the market for oil paintings, where traditional images appear to be going through something of a mini-revival, print auctions show signs of being a sector where the critical mass of demand has shifted permanently towards Modern and Contemporary.

AFTER 19 years, The London Original Print Fair is still the only event of its kind in Europe and it goes from strength to strength, as you will see when it runs this week from April 22 to 25 at London’s Royal Academy of Arts.

WHILE print devotees will be flocking to The London Original Print Fair (April 22-25) this week at the Royal Academy’s new space in Burlington Gardens, off Old Bond Street, it should not be forgotten that there are currently a number of other events celebrating the printmaker’s craft.

A PORTRAIT of two of the ‘Scottsboro Boys’, illustrated right, topped this year’s sale of African-Americana at Swann’s when it was knocked down at $36,000 (£19,080). But there was also a bid of $20,000 (£10,600) on a group of 40 letters and telegrams addressed to Dickenson, Hill & Co. and S.R. Fondren, slave dealers of Richmond, Virginia, in the years 1836-62.

ONE of London’s most concentrated areas for art dealing, St. James’s, SW1, has a new gallery specialising in fine antique prints – Isaac and Ede at 1 Duke of York Street (Tel: 020 7925 1177).

FAMOUS since the 16th century for its boys’ school, the small Rutland market town of Uppingham can also brag about being the home of the Goldmark Gallery. With a secondhand book department, this very amiable and innovative gallery always has much to delight, particularly in the field of 20th century prints.

ALTHOUGH the London Original Print Fair has finished its four-day run on April 27, there remain a number of enticing events for print aficionados.

Dismissed by some as the equivalent of Clarice Cliff, the brilliantly coloured, Vorticist-influenced linocuts produced by the Grosvenor School during the inter-war years continue to be the most hotly contested commodity at UK print auctions, particularly when they emerge from long-established private collections.