Fine Art

Russian Works of Art: Alongside the sale of Russian paintings in their Bond Street rooms on May 21, Sotheby’s also followed on the next day with a sale of Russian works of art at their Olympia rooms.

Highest bid among the 158 lots of Impressionist & Expressionist works on paper in the Tremmel collection auctioned by Ketterer Kunst on May 5-6 was the €130,000 (£89,700), just over top-estimate, paid in the room by a Rhineland dealer against six telephone bidders for Ernst Ludwig Kirchner’s Fränzi am Wasser Liegend (Fränzi Reclining at the Waterside, c.1910) in gouache, watercolour and chalk, 13 x 17in (33 x 43.5cm).

Miety Heiden, Sotheby’s Amsterdam (22% buyer’s premium) picture specialist had a sneaking suspicion that Schelde Roeier, an oil on canvas by Belgian Expressionist Constant Permeke (1886-1952), would do well when it was offered in the 170-lot May 27 sale of Modern and Contemporary Art in the Dutch capital. But no-one was prepared for the record breaking sum.

THOUGH the May 21 sale held by Dominic Winter was a collectors’ sale that also included motoring, maritime and railway models, photographs, prints, etc., it was the aviation material that had star billing. There was yet another selection from the Amédée Gauthier collection of photographs, arranged as before in thematic lots.

A man who had a 17th century Dutch panel painting stolen from his home more than 20 years ago has failed in an Appeal Court to win compensation from Christie’s, who offered the picture for sale in 1997. Key to the test case was Christie’s ability to show they had acted in good faith, adding further legal weight to the importance of due diligence.

SHOWHOUSES in new housing developments are often a depressing, formulaic affair but this is not the case at the best designed showhouse in town at 20 Aubrey Square, a new residential development of 20 town houses at Campden Hill, Kensington, London W8.

London’s main photograph auctions took place last week. The high point of the series came at Christie’s on May 20 in a single-owner evening auction of daguerreotypes by the French photographer Joseph-Philibert Girault de Prangey, when this image of the Temple of Olympian Zeus on the Acropolis sold for £500,000, reckoned by the auctioneers to be a new auction high for a photograph.

ON the same day as Whyte’s Dublin sale, the Irish theme continued this side of the water at Essex when Sworders (15 per cent buyer’s premium) offered a drawing by Sir William Orpen (1878-1931) at their Stansted Mountfichet rooms on April 29 – a 16 by 14in (40 x 35cm) signed pencil and coloured washes piece entitled The Furniture Painter.

THERE was a collective sigh of relief in the New York salerooms last week when, after a long period of uncertainty following the war in Iraq and turmoil in the stockmarkets, both Sotheby’s and Christie’s held impressive Part I Impressionist and Modern sales. Any fears that anti-French feeling would spill over in the salerooms proved unfounded after French artists took the top honours at both houses.

MAGRITTE'S Oiseau du Ciel, pictured right, commissioned by Belgium’s Sabena airline in 1965, was sold at auction in Brussels on May 5 for a triple-estimate €3.4m (£2.3m).

THERE were suppressed cries of irritation from the public at the May 8 sale held in Madrid by Alcalá Subastas as the Spanish State pre-empted all the important lots of the evening, including two newly-discovered paintings by Goya.

Illustrated right is one of 15 chromolitho plates after pastel originals by Étienne Léopold Trouvelot that make up a scarce, complete set of The Trouvelot Astronomical Drawings, the work of a keen observer and talented artist who spent the years 1872-74 using the 15in refractor at Harvard Observatory.

FAMOUS since the 16th century for its boys’ school, the small Rutland market town of Uppingham can also brag about being the home of the Goldmark Gallery. With a secondhand book department, this very amiable and innovative gallery always has much to delight, particularly in the field of 20th century prints.

Not such a pretty face, perhaps, but the artist was certainly worth a thousand dollars or more.

ALTHOUGH the London Original Print Fair has finished its four-day run on April 27, there remain a number of enticing events for print aficionados.

ALTERNATIVE investment might be too strong a word for it, but the current desperate state of returns in the stock market and other investment areas does seem to be having a positive effect at art sales, at least in Scotland.

Dismissed by some as the equivalent of Clarice Cliff, the brilliantly coloured, Vorticist-influenced linocuts produced by the Grosvenor School during the inter-war years continue to be the most hotly contested commodity at UK print auctions, particularly when they emerge from long-established private collections.

Two early watercolour drawings of rabbits in snowy settings were offered as part of a Bonhams sale of April 1. That seen right shows one rabbit making a snowball while another leans on a fence, while in the illustration reproduced below right, the two rabbits are building a snowman.

“AS extreme as always with focused bidding on the key lots,” was Victorian specialist Grant Ford’s frank description of the selective response to Sotheby’s (20/12% buyer’s premium) mid-season British Sale at Bond Street.

A rare discovery of two completely unknown paintings by Goya has aroused considerable interest in Madrid. Discovered during a visit to a family in Madrid, the two paintings of Tobias and the Angel and The Holy Family were identified by the picture expert of Alcalá Subastas, Richard de Willermin.