Fine Art

Over the last 10 to 15 years, the market has undergone a slow but steady shift towards 20th century painting in particular the Post-War abstraction of the St Ives school whose geometric shapes and pure blocks of colour are wholly in tune with contemporary tastes.

“Marvellously dotty” was how Peyton Skipwith of The Fine Art Society chose to describe this 14 by 12in (36 x 30cm) oil on panel by Rex Whistler (1905-1944). Entitled Miss Muffet, the panel depicts the moment when, sat upon her tuffet eating her curds and wey, a spider sits down beside the well-known nursery rhyme character.

Sotheby’s break mould in bid to lure Germans: A little piece of history was made on October 8 and 9 when Sotheby’s four-part dispersal of the Beck Collection of 20th Century German and Austrian art became the first major sale ever to be conducted in euros in a London auction room.

Bligh relics sold as part of the Travel Week at Christie’s, attracted national media headlines, but the most successful of this series of four sales was the Freycinet Collection, which on September 26 raised a premium-inclusive total of £1.57m.

For those who can’t afford paintings by L.S. Lowry, the Manchester townscapes of Arthur Delaney (1927-87 appear to be becoming an increasingly popular substitute.

John Moyr Smith 1839-1912: A Victorian Designer, by Annamarie Stapleton, published by Richard Dennis Publications. ISBN 0903685841 £18sb (ISBN 0903685876 £22hb)

A set of paintings, including two by Flemish master Peter Paul Rubens, have been stolen from a country house in Ireland that has now been targeted four times by thieves, police said.

THE Italian painter Pietro Annigoni (1910-1988) is forever associated in English minds with his dramatic 1955 portrait of The Queen, which now hangs in The National Portrait Gallery and which still has plenty of admirers, including HM herself.

AFTER a closure of some 18 months to sort out some little problems with the lease, Mayfair's Shapero Gallery, which specialises in antique prints, photographs, maps and watercolours, reopens this week at 24 Bruton Street, W1 with a show called simply Cities.

With the government still dithering over whether and when it should put a bill banning hunting with dogs in England to the vote in the House of Commons, it could hardly be a more ironic time for Sotheby's to be auctioning the only known portrait of the 'Father of Foxhunting' and the founder and first Master of the Quorn Hunt.

Quality paintings have been extremely thin on the ground in the provinces in the last few weeks, but this Dorothea Sharp (1874-1955) oil did at least create a stir at the Leominster rooms of Brightwells (15% buyer’s premium) on August 29 when it climbed to £41,000 against an estimate of £3000-5000.

ONE of the more unusual characters of the so-called ‘Golden Age’ of Danish art was Sally Henriques (1815-1886). Firstly, contrary to what the name might suggest, Sally was a man. Secondly he was Jewish. And thirdly he painted for just four years from 1841-45 before becoming – in a neat reversal of the career of Georges Braque – a house painter.

It wasn’t until Campbell Archibald Mellon (1876-1955) retired from business at the end of the First World War that he devoted himself to painting. He moved to Gorleston-on-Sea in Norfolk and the bulk of his artistic output is focused on the beaches and holidaymakers in the area.

A second hand bookshop in Glasgow and two dealers are locked in a legal dispute over the ownership of a lost cache of William Blake watercolours, valued at over £1m.

Interpreting Matisse/Picasso by Elizabeth Cowling, published by Tate Publishing. ISBN 1854373935 £9.99 pbk

Matisse Portraits by John Klein, published by Yale University Press. ISBN 0300081006 £35hb

This large Highland hunting landscape by John Frederick Herring Senior proved to be the highlight of Sotheby’s annual auction series held last week at the Gleneagles Hotel in Scotland, when it sold for £470,000 (plus 19.5/10% premium) to London dealer Richard Green Fine Art bidding on the phone.

Matisse Picasso published by Tate Publishing with essays by six international curators including the two British curators John Golding and Elizabeth Cowling. ISBN 1854373927 £40 hb, ISBN 1854373765 £29.99 sb

ON July 23 Bristol Auction Rooms (15% buyer’s premium) took the second highest price at auction for an oil by Hampshire artist Henry Garland (1854-1900). Back in December 1998 Bonhams Knightsbridge took a premium- inclusive £12,650 for the 3ft 4in by 5ft 7in (1.02 x 1.70m) oil Village Gossips.

This muscular terracotta modellino of a moor, Il Moro, 2ft 75/8in high (80.5cm), attributed to Gian Lorenzo Bernini (1598-1680), wrested the top slot from a powerfully modelled pair of 16th century bronzes in Sotheby’s (19.5/10% buyer’s premium) 174-lot European Sculpture and Works of Art 900-1900 auction on July 9.