Furniture

Most high-flying ‘design’ is made in multiples. These can be limited editions in short runs but, as some of the most iconic pieces have been produced in their millions, their commercial value is typically vested in early examples or prototypes.

Post-war material is attracting growing interest across all sectors of the art market. A pioneer was the Design sale that championed the creations of designers and taste makers from the second half of the 20th century and beyond.

The specialist Finnish lighting designer Paavo Tynell proved to be the strong suit in a 111-lot Scandinavian design sale held by Artcurial (25/20/12% buyer’s premium) in Paris.

This ivory-inlaid fall-fronted cabinet is one of the highlights in a sale of Islamic and Indian art at Drouot by Ader on June 29.

The response to Suffolk House Antiques’ summer exhibition has been enthusiastic, with customers snapping up some key pieces even before the show’s official opening.

A major test of the market for the best of British furniture will take place in London this summer when Christie’s stages a sale dedicated to Thomas Chippendale.

From dealers Charlie Bates and Matthew Nellist of Jeffrey and Day comes a story about Jean-Baptiste Godin, a 19th century French industrialist and enlightened innovator.

The best of the furniture from the contents of Faringdon House went to a Christie’s (25/20/12.5% buyer’s premium) Interiors sale, but perhaps the more interesting items from the 18th century Oxfordshire manor were handled by Wiltshire saleroom Kidson-Trigg (20% buyer’s premium).

Throughout the furniture depression, late Victorian and Edwardian chairs and sofas produced by the London firm of upholsterers Howard & Sons maintained their prices.

T Crowther & Sons was founded in 1880 in Fulham and was well established before the First World War. The company was split into two sections in the 1940s: Albert Crowther trading from Syon Lodge and T Crowther & Sons in Fulham.

Once-fashionable drum tables took a big hit during the furniture slump and while the best can do well, others can be picked up cheaply.

The tercentenary of Chippendale’s birth is the catalyst for the 'Chippendale 300' initiative – a programme of non-selling exhibitions and events held across a range of historic houses, museums and craft organisations.

ATG's selection of furniture offered in London this summer.

Chippendale’s move to a modest Kensington terrace house in 1776 probably marked his partial retirement from business at the age of 58. He would remarry the following year but died in 1779 leaving under £29 (not much more than the cost of one of the Dundas giltwood armchairs which sold at £20 each).

As a name synonymous with English furniture turns 300 years old this year, dealers are hoping the Chippendale 300 initiative can raise the profile of good English period furniture and inject some fresh pride in an historical craft.

Much of Thomas Chippendale’s renown is thanks to his forward-thinking approach to business in the first decades of consumerism – and in particular the creation of a pioneering catalogue of furniture designs in the style of the great architectural books of the period.