Auctioneers

An exceptionally rare Western Zhou bronze, taken when the Summer Palace was sacked by British troops in 1860, has been discovered in a house in a Kent seaside town.

Lyon & Turnbull has appointed Philip Smith, former head of modern & post-war art and design at Mallams, to the newly created role of associate director for modern art and design.

More than $120m of Asian art was sold at auction during last week’s New York Asia Week.

An American private collector bid £15,000 for a rare Clarice Cliff figure group at Woolley & Wallis in Salisbury.

Aldine press books of the early 16th century, mostly it seems in a good but much later full morocco or calf bindings, produced a number of the higher bids in a recent Yorkshire sale.

Peoples of Russia part II… On these pages last week (ATG No 2330) mention was made of the series of porcelain figures of ethnic Russians produced by the Imperial Factory in St Petersburg from the late 18th century up to the revolution.

Like Romeo and Juliet, Hellelil and Hildebrand’s relationship was doomed from the start.

The work of Dublin painter Louis le Brocquy (1916-2012) is strengthening after the value of his work went spiralling downwards at the height of the Celtic Tiger crash nearly a decade ago.

Pictured and discussed here is a selection of interesting and unusual lots from sales in February and early March, ranging from a Russian enamel jug in Saarbruecken and an aristocratic de Lászlo portrait in Heidelberg to an early Grand Tour souvenir in cork in Cologne.

Among Horace Hone’s (1756-1825) most renowned depictions was the 18th century actress Sarah Siddons.

A previously unpublished John Constable sketch drew prolonged bidding at south London saleroom Roseberys.

Contemporary art drew considerable interest at Tennants (20% buyer’s premium).

There is little like a new house-record to leave an auctioneer smiling but there was considerably more for Luke Macdonald to celebrate following Cheffins’ (22.5% buyer’s premium) spring sale.

While many a hopeful vendor has to be told gently that great-great-grandpa’s pocket watch is worth little more than the melt price of the metal, a complication or major name – such as the signature Ch. Frodsham, London to the movement of this example, below – makes all the difference.

Porcelain by Jacob Petit (1797-1868) is a scarce sight at provincial rooms.

“It’s not the age or pedigree – it’s the look of the piece.” The phrase became less a heresy and more a cliché during the latter years of the furniture boom of blessed memory, when the increasingly influential decorator trade was spending substantial sums on 19th and early 20th century reproductions.

None of the works by the Elizabethan poet, courtier and soldier Sir Philip Sidney (1554-86) were actually published in his lifetime.