Auctioneers

AT OVER 1000 lots, the May 22 sale held by Greenslade Taylor Hunt of Taunton was certainly one of the bigger sales of that week, but only a single lot topped the £1000 mark – a disbound, incomplete and defective English Bible. Apparently a 1540 reissue in smaller format of the Great Bible that Thomas Cromwell ordered to be placed in the country’s churches so that “parishioners may moste commodiously resorte to the same”, it was bid up to £1250.

Miety Heiden, Sotheby’s Amsterdam (22% buyer’s premium) picture specialist had a sneaking suspicion that Schelde Roeier, an oil on canvas by Belgian Expressionist Constant Permeke (1886-1952), would do well when it was offered in the 170-lot May 27 sale of Modern and Contemporary Art in the Dutch capital. But no-one was prepared for the record breaking sum.

THOUGH the May 21 sale held by Dominic Winter was a collectors’ sale that also included motoring, maritime and railway models, photographs, prints, etc., it was the aviation material that had star billing. There was yet another selection from the Amédée Gauthier collection of photographs, arranged as before in thematic lots.

Sotheby’s wait for a change of climate to see prices grow after statuary sale falters: Sotheby's specialist-in-charge of the Sussex garden statuary sales, Rupert van der Werff, believes the most reliable barometer for this area is the housing market. Certainly the well-publicised recession in that overheated area has had a hugely detrimental effect on statuary.

Included among the fountains, wellheads and lead figures at Sotheby’s Sussex on 20-21 May were 18 watering cans from the collection built up over 15 years by John Massey, a senior director of the famous Haws Watering Can Company for over 25 years.

Christie’s South Kensington : May 15 was a crowded day in the Decorative Arts calendar. Both Christie’s South Kensington and Bonhams’ Bond Street rooms fielded sizeable decorative arts selections, much of it of crossover interest, which presumably presented potential buyers with something of a dilemma when it came to deciding which sale to attend in person.

Christie’s have helped negotiate the sale to the Victoria and Albert Museum of the Castlereagh gold inkstand created by Paul Storr and Philip Rundell for the British diplomat Viscount Castlereagh (1769-1822) in 1818.

Christie’s are to relocate their education arm from King Street to new premises in the Fitzrovia area of London. The current building, number 5 King Street that was the former Spink premises, will undergo refurbishment in the summer. While the upper floors are expected to remain Christie’s offices, a decision will be made in the near future as to the use of the prime retail space below.

NOT for nothing is the antiques market known for being unpredictable, nay, almost perverse. In the middle of the worst recession that many dealers have experienced, the worst drought that many salerooms have ever had to endure, auctioneer Nigel Kirk of Mellors and Kirk recorded his best sale in the brief (ten-year) history of his business on 10-11 April. He could not quite believe it, especially as half of the furniture lots failed to sell, but the statistics bore out the remarkable reality.

Apparently consigned for sale by a local lady who had no idea of its commercial potential – it had been acquired as holiday reading when she was a young girl – a 1937 first edition of The Hobbit was sold at £10,300 in a general antiques sale held by Fieldings in Hagley, Worcester-shire, on April 26.

THE Decorative Arts sale on May 19 at Tajan (14.35/20.33% buyer’s premium) was devoted almost exclusively to Art Deco and saw 165 of its 288 lots (57 per cent) find takers en route to a total of €3.18m (£2.2m) including premium. Unlike the sales at Sotheby’s and Christie’s, the catalogue was in French only with no English translations.

CHRISTIE’S (20.93/11.96% buyer’s premium) eschewed Art Nouveau altogether at their 20th Century Decorative Arts sale on May 20. This short outing was 83 per cent sold by lot (63 from 76) and 87 per cent by value, and raised a premium-inclusive €3.41m (£2.35m).

A man who had a 17th century Dutch panel painting stolen from his home more than 20 years ago has failed in an Appeal Court to win compensation from Christie’s, who offered the picture for sale in 1997. Key to the test case was Christie’s ability to show they had acted in good faith, adding further legal weight to the importance of due diligence.

THE Fine Art Auction Group, who have been building a network of salerooms in the South East and South West over the past two years, have acquired Bristol Auction Rooms.

Vectis, the largest toy auctioneer in the world, with a turnover of £5m, is to open in America. Bryan Goodall, who has owned the Teesside company for seven years, has recently acquired The Diecast Toy Exchange, an auction house based in York, Pennsylvania.

One of several items consigned to Woolley and Wallis in Salisbury by descendants of the 7th and 9th Dukes of Newcastle for sale on May 13, this Regency mahogany centre table with profusely carved trestle supports in the manner of Thomas Hope surprised auctioneer and vendor alike when it breezed past its £800-1200 estimate to sell for £57,000 (plus 15/10 per cent buyer’s premium).

JUNE is very much the traditional month for London’s high season in the art market. However, in the middle of May we had a taster of the frenzied auction activity usually associated with that month, a mini tsunami of high-flying sales with a clutch of dramatic and record-breaking prices.

It seems that in terms of arriving in numbers after none has been seen for ages, novelty lighthouse cocktail shakers are to Yorkshire what No. 9 buses are to central London. In Antiques Trade Gazette No.1589 dated May 17 we illustrated just such a silver-plated shaker which took £1250 at Andrew Hartley’s Ilkley, West Yorkshire sale on April 9-10.

London’s main photograph auctions took place last week. The high point of the series came at Christie’s on May 20 in a single-owner evening auction of daguerreotypes by the French photographer Joseph-Philibert Girault de Prangey, when this image of the Temple of Olympian Zeus on the Acropolis sold for £500,000, reckoned by the auctioneers to be a new auction high for a photograph.

AN ARRAY of elegant objects sold mostly within estimates at the Celebration of the English Country House auction at Sotheby’s New York (20/12% buyer’s premium) on April 30 and May 1.