Bonhams

As the most prolific of the 18th century English porcelain-producing factories, there is plenty of scope when it comes to collecting Worcester porcelain. There are few collectors, however, who can match the determination of Jeanne and Milton Zorensky.

YOU don’t see detailed architectural scenes that often on English porcelain. Such pieces are much more the preserve of Continental factories like Meissen, Sèvres or, most notably, Berlin. Their smooth, hard paste provides a better ground for the highly detailed, crisp painting these subjects demand. However, if topography is to be found on English porcelain, it is most likely be encountered on wares from the Derby factory which came nearest to emulating the Continental firms.

The well-worn cliché about everyone in the trade wanting to buy the same few pictures was certainly in evidence at the March 9 sale of British and Continental pictures at Bonhams (17.5/10% buyer’s premium) at Knightsbridge when this highly commercial oil-on-canvas view of the Piazzatta, Venice, indistinctly signed Viviani, came under the hammer with a highly tempting estimate of £2000-3000.

FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.

Bonham’s had no difficulty dispersing the first instalment of the mammoth collection of Worcester porcelain formed by Milton and Jeanne Zorensky, offered in their New Bond Street rooms on March 16. Just five of the 416 lots were left unsold and even these had all found buyers by the end of the day.

THE large number of increasingly wealthy mainland Chinese dealers and collectors participating in UK auctions are pushing up the prices in certain sectors of the market, including 19th century Chinese-taste ceramics. In the past this area has largely been overlooked in favour of imperial porcelain from earlier periods, but with the best 18th century mark and period routinely commanding six-figure sums, 19th century ceramics must look good value for money.

ALTHOUGH Derwent Lees (1885-1931) is recorded in reference books, such as the Handbook of Modern British Painting and Print-making 1900-1990, published by Ashgate, he is not that well known outside specialist trade circles.

From April 1 Bonhams will increase the buyer’s premium in their Knightsbridge rooms to bring it in line with that charged at Bond Street.

Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).

BOUND volumes of Manchester United home match programmes from the 1950s seasons were the best sellers in the football section of a sporting memorabilia sale held by Bonhams Chester on January 28, with prices ranging from £520 to £1300 for the volume covering the 1957-58 season that brought the devastating Munich air disaster.

ALTAR surrounds and other architectural elements from a 19th century Belgian church proved one of the bigger attractions at a February 8 sale held by in Los Angeles by Bonhams & Butterfields – a sale titled ‘Revival of the Centuries’.

THERE was quite a lot of frenzied activity at Bonhams (aka Glendinings) in the days running up to their sale on February 24.

WITH thousands of middle-class homes being turned into white boxes every week, how on earth can English auctioneers sustain the market for middle-of-the-road Victorian pictures?

BONHAMS Knightsbridge (17.5/10% buyer’s premium) Science and Marine outing on February 25 was hardly awash with blockbuster entries, but their disappointment at not selling John Gould’s cased display of humming birds (estimated to fetch £30,000-50,000 but bought in at £12,500 despite pre-sale collector interest) was somewhat allayed by the healthy bid placed for this Victorian octagonal double-cased shell Valentine (shown here).

This pair of early 19th century mahogany and brass-bound peat buckets soared to £68,000 plus 19.5% premium – six times their estimate – at Bonhams’ March 2 fine English and Continental furniture sale in Bond Street.

Bonhams are consolidating their reputation for high-profile and prestigious single-owner ceramics collections with another big name to add to the recent roll-call. After Bernard Watney, Norman Stretton, Billie Paine et al come Jeanne and Milton Zorensky, the first part of whose mammoth collection of First Period Worcester is to be offered for sale in Bonhams’ Bond Street rooms this month.

SILVER SALES: Although different in size, the 451-lot silver sale at Bonhams’ Knightsbridge (17.5/10% buyer’s premium) sale on February 10 and the 263 lots offered at Christie’s South Kensington (19.5/12% buyer’s premium) on February 17 were both fairly routine affairs by London standards.

PORTRAIT MINIATURES: At just under £92,000 for 287 lots, Bonhams Bond Street’s (19.5/10% buyer’s premium) first portrait miniature sale of the year on February 3 was essentially a middle-ranking offering.

What Bonhams are billing as “one of the world’s greatest portrait miniature collections” will go on sale in their Bond Street rooms on April 22. The 175 English and Continental miniatures, which have been on loan to the Scottish National Portrait Gallery for the past three years, date from the 16th to the 19th century and are estimated to fetch in excess of £1m.

CIGARETTE CARDS AND POSTCARDS: The cigarette and postcard auction is one of those corners of the collectables market where sales are keenly awaited by a specialist clientele and where very little tends to get left without a buyer.