Sotheby's

PABLO Picasso’s Garçon à la pipe boosted Sotheby’s second quarter sales considerably, alone accounting for about 9.5 per cent of the total.

KATE Dickens adored her father but found the situation at home after her parents’ separation to be intolerable and in 1860, desperate to get away, she entered into what was to prove a less than happy marriage to Wilkie Collins’ younger brother Charles.

HIGHLIGHT of Sotheby’s (23.92/14.35% buyer's premium) book and manuscript sale on June 30 was Antonin Artaud’s 1947 portrait of his publisher Alain Gheerbrant, pencil, 14 x 20in (35 x 50cm), seen right, that made a double-estimate €210,000 (£140,000) to set a record for an Artaud drawing.

THE first outing for Sotheby’s associate Graham Budd Auctions (15% buyer’s premium) offered a large range of sporting memorabilia in a 885-lot sale held at Sotheby’s Olympia on June 9. Football was the most represented sport, contributing to well over half the total number of lots.

THE earliest book in English on the subject, John Stalker’s Treatise of Japanning and Varnishing... of 1688 has been described by H.D. Molesworth as “a work of art in its own right... as readily accepted for its literary content as for its technical information”.

THOMAS Tompion may be England’s most celebrated 18th century horologist, but he is less widely known for his exquisitely crafted sundials, a signed example of which furnished Sotheby’s Bond Street (20/12% buyer's premium) with their undisputed highlight on June 15.

HARRY Potter prices are not quite as strong as they once were, but the fine “unread” copy of the 1997 first of Harry Potter and the Philosopher’s Stone seen right was sold on June 17 for £11,000 at Bloomsbury Auctions, who had it hopefully estimated it at £15,000-20,000.

THERE was a 1954-55 first edition set of Tolkien’s Lord of the Rings books in a Sotheby’s sale of July 8 that sold at £6500 to a collector – all three volumes impressions in slightly frayed jackets, one of them with a tape repair, showing a little browning and spotting.

THE very fine 1950 first edition copy of The Lion, the Witch and the Wardrobe seen right, with just a few nicks to the jacket skilfully repaired, was sold for £6000 to a collector by Bloomsbury Auctions on June 17, but at Sotheby’s on July 8, a complete set of the seven books that make up C.S. Lewis’ Chronicles of Narnia was left unsold on an estimate of £5000-7000.

A LARGE scale oil by Kathleen Hale of Orlando Reclining Amongst Flowers failed to sell against a £10,000-15,000 estimate at Sotheby’s on July 8, but the autograph draft manuscript of Orlando (The Marmalade Cat) becomes a Doctor of 1944, right, each page with pencil and coloured crayon drawings (some with added wash or gouache, a few unfinished) did sell at £5000 to a London gallery.

SOTHEBY’S have announced that they are merging their Modern British art and Victorian art departments to create a new one called British Art 1850 – Present Day.

IN reporting the sale of the John R.B. Brett-Smith library at Sotheby’s on May 27 (Antiques Trade Gazette No 1646, July 3), I mentioned and illustrated the sale at £2800 of a work of 1679 called Female Poems on Several Occasions written by Ephelia.

ROUNDING off a sale of Western Manuscripts and Miniatures at Sotheby’s on June 22 was what, at first glance, must have seemed an unusual inclusion in a manuscript sale – a 13 1/2in (35cm) high carved ivory plaque featuring a figure of a Roman Consul.

RIGHT: despite the occasionally negative press the antiques trade has received in recent weeks a media circus arrived at Sotheby’s on July 7 to watch the Bond Street auctioneers sell Young Woman Seated at the Virginals, a newly-acknowledged picture by Johannes Vermeer (1632-75).

IN the eyes of many of today’s collectors, it is the realist interiors, which range from old farm buildings to grand rooms, and the figure subjects of William Henry Hunt (1790-1864), which are most desirable, a fact highlighted by the artist’s sale results.

WITH selling rates that rarely dip below 80 per cent and steadily increasing totals that are the envy of more traditional departments, auctions of Contemporary art continue to go from strength to strength.

THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.

SHEER decorative exuberance helped this Roman mosaic panel, c.2nd century AD, right, sell to an American private collector for $260,000 (£141,305), almost triple the upper estimate at Sotheby’s New York (20/12% buyer's premium) sale of June 9.

THE forerunners of their kind may have been a relatively humble form of seating, but, as two lots in the recent English furniture sales showed, it wasn’t long before the Windsor chair began to branch out.

THE highlight of Christie's (20.93/11.96% buyer's premium) sale on June 14 was this 16in (40cm) high Benin bronze plaque (c.1580-1620), right, featuring a warrior chief, brandishing a sceptre in his right hand and a short eben sword in his left. The plaque, formerly owned by Edgar Dimsey, a surgeon on the British punitive expedition to Benin in February 1897, retained sharp detailing and sold to a European collector for a hefty €450,000 (£300,000) against an estimate of €150,000-200,000.