Sotheby's

COMBINE the perennial appeal of the Fabergé name with the current demand for all things Russian and it has been no surprise to see soaring prices for pieces by this famous firm in recent seasons.

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

TWO very strong prices, one in Edinburgh and one in London have underlined the status of the Zeigler as the most fashionable of late 19th century carpets. And the £110,000 and £130,000 bid for Zeigler & Co. carpets at Lyon & Turnbull on March 31 (Antiques Trade Gazette 1636, April 24) and Sotheby’s on April 28 (Antiques Trade Gazette 1641, May 29) had one thing in common – both were made with cream grounds.

BACK in July 1984, Christie’s took £75,000 (£81,000 with premium) for Thomas Rowlandson’s (1756-1827) pièce de résistance watercolour of Box-lobby loungers.

TWENTIETH century and Contemporary art underlined their status as the key growth areas for the major auction houses when London’s June round of Part I Impressionist, Modern and Contemporary sales netted £120.4m. Six months ago the equivalent sales took £94m, while back in June 2003 – when war was raging in Iraq – they could only muster a relatively modest £81m.

IT was amongst the shaded woodland of the Thames Valley that Windsor chairs are thought to have originated. The forerunners of their kind may have been merely a humble form of seating, but, as two lots in forthcoming English furniture sales show, it wasn’t long before the form began to branch out.

OVER the years, the collaboration between Sotheby’s Sussex and the Ironbridge Gorge Museum Trust has done much to fill in the gaps left by the lack of detailed company records of Coalbrookdale furniture, and the May sale at Billingshurst, which featured 86 lots amassed over a number of years by a dealer/collector, offered another opportunity to assess the market.

FOSSILS, whose decorative qualities in either antique or contemporary settings, have made them a regular feature of Sotheby’s garden sales at Billingshurst, opened the May event with 100 lots. Although dealers have become interested in the genre (there are, for example, now stands selling natural history at Olympia), private buyers took the top offerings including the best seller, a detail of which is shown right.

IF the Toguri collection’s £600,000 black and white baluster vase was a masterpiece of Cizhou art, the size, detail and ingenious use of the stone’s natural inclusions make this monumental black and grey water buffalo, offered in Sotheby’s Bond Street’s 127-lot mixed owner outing on June 9, a master class in jade carving.

THE 463 lots that made up the first portion of science books from the Earl of Macclesfield’s library at Shirburn Castle, sold by Sotheby’s on June 10, covered just the letters A-C, but the contents of this extraordinary library, virtually untouched since the 18th century, are such that even this starter helping raised a premium-inclusive total of £3.57m.

IT was amongst the shaded woodland of the Thames Valley that Windsor chairs are thought to have originated. The forerunners of their kind may have been merely a humble form of seating, but, as two lots in forthcoming English furniture sales show, it wasn’t long before the form began to branch out.

THIS wucai dragon jardinière, third right, entered together with three routine pieces of 17th and 18th century Chinese blue and white (pictured with it), with pre-sale hopes of £900-1300, proved a sleeper and was the focus of an intense bidding battle between Hong Kong, Taiwanese and mainland Chinese dealers at Sotheby’s Olympia’s 387-lot outing on June 10.

OVER a period of 30 years, the late Sir Charles Clarke of Broadhurst Manor in Sussex built up a remarkable collection of engravings, drawings and other material by Edouard Travies. He came to be recognised as the leading authority on the artist and his collection of Travies lithographs of La Chasse and other similar suites of plates is perhaps the finest ever to have come onto the market.

THE controversial ‘Anglo Saxon’ cross shaft, once hailed as a major discovery by London dealer Rupert Wace, but now blighted by academic opinion, failed to attract a bid when offered by Sotheby’s New York on June 9 with a $30,000-50,000 estimate.

Pictured right is the highlight of what turned out to be London’s Asia Week’s most successful auction.

IN these time-strapped days of TV dinners and takeaways, grand dining is something of a rarity.

A MAY 11 sale held by Sotheby’s Olympia to dispose of property from the collections of the late Lord and Lady Menuhin included a collection of material by and about the American writer Willa Cather, who was a great friend of Marutha Menuhin, Yehudi’s mother, and a close friend to all the Menuhin children. She also wrote many letters to Marutha, but all of these were burned after her death, in accordance with the writer’s will.

AT the tail-end of a 500-lot sale of Russian pictures and other works of art held by Sotheby’s on May 26 was a small selection of photograph albums and books, two of which are illustrated and briefly described here.

ONE of the most unusual disputes concerning an item sold at auction comes full circle on Wednesday, with the object being put up for sale once more.

SOTHEBY’S Bond Street (20/12% buyer’s premium) took their first tentative step into the world of 20th century Asian art on May 6 with a 173-lot mixed-owner dispersal of Chinese, Japanese and Korean paintings, prints, posters, sculpture and ceramics on May 6.