Dealers

Among the works selling at the recent Art & Antiques for Everyone fair in Birmingham was a watercolour by John Roddam Spencer Stanhope (1829-1908).

Nudity and sensuality are themes running through London gallery’s look at eroticism

Anna Wakerley of Oriel Fine Art specialises in pre- and post-war Modern British painting.

A new destination for antiques shopping in Arundel has opened at Merchants Hall.

Jean Lurçat’s 'Sun Dancer', c.1955, is from a range of vibrant ceramics that the French artist produced during the 1950s, many of which are now on offer in Whitford Fine Art’s exhibition Poetry in Motion.

A number of dealers and auctioneers have reacted to TEFAF’s new policy on vetting which will prevent all commercial specialists from being members of its vetting panels.

Old Master dealers Jorge Coll and Nicolas Cortés are to restructure their business from January next year to focus on different regions.

For its fourth year, Art Fair East comes to Norwich.

It has been a busy month for Broadhursts Bookshop owner Laurie Hardman.

The French dealer François Laffanour, whose Galerie Downtown is on the rue de Seine in Paris, has specialised for 25 years in furnishings by post-war architects and designers.

Admirers of American neoclassical decorative arts have been treated to a wealth of exhibitions in recent years, and now even more is available to discover and acquire.

A portrait of Thomas Cobley Gent of Buttsford, Colebrooke (d.1844), is believed to portray ‘Old Uncle Tom Cobley’, from the tradition song Widecombe Fair, as a young boy.

John Bly, who recently became a director of wheretosell.co.uk, is a dealer specialising in English furniture and silver from 1560-1910.

The TEFAF decision to remove dealers from vetting at their shows has caused debate (ATG Nos 2367 & 2368). Here, silver dealer Alastair Dickenson writes to ATG giving his view, while we canvass opinion from four more experts.

A deluxe issue of 'Peter Pan in Kensington Gardens' signed by celebrated illustrator Arthur Rackham (1867-1939) is one of the attractions at The North Wall Arts Centre’s exhibition 'Once Upon a Time'.

Born partly out of necessity and partly out of a reaction to austerity, British design in the immediate post-war era underwent a flowering of innovation with new styles, new materials and a fresh impetus that resulted in a very different class of furniture.