International

Rubens’ Massacre of the Innocents is to go on public display at the Art Gallery of Ontario in Toronto. Lord Thomson of Fleet, who set a record for an Old Master painting at auction when he paid £45m for the work at Sotheby’s in London in July, announced that the painting would join nearly 2000 other works in his collection at the gallery after it completes a $315m renovation and expansion.

François Curiel, head of Christie’s France, has set a precedent by winning permission to direct sales in France. It is the first time that the Conseil des Ventes, France’s auction watchdog, has authorised anyone who has not passed the traditional commissaire-priseur’s exams to hold the gavel.

A PRE-VESALIAN anatomy and a pioneering German surgical treatise are featured in the caption story below, while among the other scientific texts in an October 2 sale of early printed books held by Swanns were two important works by Kepler.

This tiled panel advertising Champagne Mercier was one of a rare ensemble of six panels made in the early 1920s, each 5ft 9in x 2ft (174 x 62cm), on offer under the Prunier hammer in Louviers (14.95% buyer’s premium) on November 17. The other tiled panels, accompanied by two landscape friezes, also advertised drinks (Rhum Negrita, St Raphaël, Guillot Triple Sec, Quenot Dijon cassis, Fine Legrand cognac), and were marked G.F.C. France for Gilardoni Fils & Compagnie of Choisy-le-Roi, near Paris.

A new French nationwide auction grouping, Ivoire, was officially launched in Paris on November 21. The group includes auctioneers from three major cities (Lyon, Marseille and Toulouse) and nine other provincial towns (Aix-en-Provence, Avignon, Cannes, Chartres, Clermont-Ferrand, La Rochelle, Rheims, Saumur and Troyes).

The paintings of Edwin Long (1829-1891) are well known to London’s gallery visitors, since there are works by him in both the National Portrait Gallery and the Royal Academy, but many of his works have long been lost or forgotten.

The results of Hong Kong’s October Asian series underscored the increasing polarity in this market in which there seems no limit to collectors’ and dealers’ insatiable desire for the best Qing dynasty mark and period porcelain or quality Chinese works with good provenance, but little interest in more standard Oriental fare.

Sotheby’s and Christie’s October sales of 19th Century European Art in New York told, or at least seemed to tell, very different stories of the current state of the market for high value Orientalist and genre painting.

In Cologne on October 26 W.G. Herr (18% buyer’s premium) staged a Jubilee sale to mark their 50th auction in the cosy Friesenwall gallery where, as he puts it, Werner Herr has been “swinging the hammer” for 20 years.

The patent dispute pitching a Virginia inventor against eBay appears to be heading to trial. US District Court Judge Jerome Friedman issued a series of rulings in late October that, while firming up aspects of eBay’s defence, rejected the company’s attempts to have the claims – made by MercExchange, a Virginia technology company – thrown out.

The Impressionist and Modern sales were not the only New York sales last week to smash auction records. Christie’s November 5-6 sale of 19th and 20th century prints brought an extraordinary record price for a single print by Henri de Toulouse Lautrec. La Grande Loge, an 1897 lithograph in colours on wove paper, was an extremely rare and previously unrecorded colour trial proof produced before an edition of 12.

The importance of clear due diligence in dealings has been highlighted by an Irish court overruling the country’s statute of limitations on stolen goods in a civil case.

OF the three new world auction records taken at Christie’s Rockefeller Center saleroom on the evening of November 6, two of them were for pieces of sculpture. This follows on from Christie’s success in the May Impressionist and Modern sales, their best – as Sotheby’s were for them – for some time, when Constantin Brancusi’s 1913 bronze Danaïde took $16.5m (£11.6m), the highest price for any piece of sculpture sold at auction.

FLORIDA hosts a new design fair next year when ARTform, the International Fair for Dimensional Fine Art, debuts at the International Pavilion of the Palm Beaches in downtown West Palm Beach from March 6 to 11.

The 12th specialist textiles sale under the Rossini (17.342% buyer’s premium) hammer at Drouot on October 9 attracted keen trade interest, with 76 per cent of the 550 lots sold, yielding a hammer total of some €430,000 (£270,000).

In May 1919 New Yorker Raymond Orteig offered a $25,000 prize for the first non-stop aeroplane flight from New York to Paris. In the ensuing eight years dozens of people managed to cross the Atlantic Ocean by air, but no one met Orteig’s criteria until eight years later when on May 20-21, 1927 Charles A. Lindbergh made the longest non-stop, heavier-than-air transatlantic flight in his plane, the Spirit of St Louis.

GIVEN the fiscal disadvantages involved, Christie’s and Sotheby’s won’t usually be looking to Paris as a venue for sales of Modern art, but Christie’s (buyer’s premium 20.93%) had a modest French Collection of Post-Impressionist & Modern Paintings and Drawings on offer on September 28 that fared well enough, with 40 lots from 43 sold for a hammer total of €1.04m (£650,000) with seven per cent bought in by lot and just two per cent by value.

PAUL Sumner, brought in as managing director to launch Sotheby’s Olympia last year, has announced his aim to make Lawson-Menzies the top auction house in Australia within two years.

Presented with individual estimates of €35,000-50,000, two male and female Urhobo figures – just as large as the Urhobo figure sold at Sotheby’s, and possibly a matching pair – were the chief casualties at the mixed-provenance sale of African art (principally from Nigeria) assembled by Marie-Catherine Daffos and Jean-Luc Estournel for Lombrail-Teucquam (buyer’s premium 15%) at Drouot on the afternoon of September 30.

Glittering personalities from the world of arts, they were the toast of Paris in the late 1960s. Capote and Sagan, Karajan and Nureyev, Callas and Saint-Laurent – their presence at soirées was coveted by the self-regarding hostesses across town, but they all paid homage to the ultimate hostess trolley when they arrived for dinner at 10 rue de Dragon.