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WHEN valuing a piece of furniture in the clutter of a client’s poorly lit home, quality can be difficult to gauge. Like most auction house specialists, James Lees, at Banbury-based Holloways (15% buyer’s premium) admits there have been times he has subsequently doubted his initial appraisals.

WHILE print devotees will be flocking to The London Original Print Fair (April 22-25) this week at the Royal Academy’s new space in Burlington Gardens, off Old Bond Street, it should not be forgotten that there are currently a number of other events celebrating the printmaker’s craft.

A CLUTCH of strong horological results for rare pieces by good makers or with technical innovations were seen in late March at Sotheby’s Bond Street (20/12% buyer’s premium).

THERE was an encouraging take-up for Victorian and Georgian furniture in Byrne's (15% buyer's premium) 623-lot March 10 outing, with buyers found for the more standard fare as well as for the better lots. “We had more than our fair share of Victorian mahogany triple wardrobes but most sold to a mixture of private buyers and the trade,” said Byrne’s specialist Adrian Byrne.

OSCAR Pierre Erard is one of the many shadowy figures who occupy the record books of the 19th century glass industry in Stourbridge.

It is not unusual for an auctioneer to receive enquiries from members of the public who have seen items ‘identical’ to theirs in a newspaper, a magazine or on television. In reality the Queen Anne walnut chest turns out to be a 1920s reproduction worth £100 – but, yes, they do look almost identical.

DEMAND for good-quality, period stools continues unabated and one led Mervyn Carey's (10% buyer's premium) February 25 506-lot Kent outing. A Queen Anne walnut example, with drop-in, upholstered seat and scrolled cabriole legs, it sold at £3200, while a slightly lesser quality George I walnut stool, also with cabriole legs, managed a winning £950.

LONDON’S art world leaders have come up with an initiative for extending the peak selling period that is London in June.

ON Friday April 2, this distinctive silver and 18 carat rose gold Boucheron lady’s minaudière, pictured right, 5 1/4in (13.5cm) across, was stolen from the Pullman Gallery at 14 King Street in St James’s.

ON Thursday March 18 thieves broke into the Oxfordshire home of ex-jockey and racehorse trainer Stan Mellor and stole silver and works of art.

ON Radio Four’s Desert Island Discs of April 28 the castaway was painter Jack Vettriano (b. 1954). When asked by presenter Sue Lawley how much he thought his celebrated oil, The Singing Butler, would sell for at Sotheby’s on April 19, Vettriano’s response was that it would exceed the top estimate of £200,000.

With the Chinese economy expanding at an unprecedented rate, and Chinese tourists becoming increasingly numerous in Europe, China Trade paintings are an area of the art market that might prove a cannier investment than most.

QUALITY, rarity, condition, provenance and fashion all have a bearing on auction prices, but perhaps the most difficult criterion for any specialist to value is the appeal of an object’s quirkiness.

OF the 830 lots offered in Fieldings (12.5% buyer's premium) February 28 sale, a painting provided the highest price but a chair the biggest surprise.

THE gulf in value between fully authenticated pictures and those with mere attributions was clearly in evidence on March 4 when this 18th century Irish School landscape, right, came up for sale at the Amersham Auction Rooms in Buckinghamshire.

THE new money-laundering laws appear inadvertently to have created a problem for the coin trade.

“ANOTHER glorious array of items from our railway heritage with many record prices,” was Ian Wright’s verdict after Sheffield Railwayana Auctions' (no buyer's premium) specialist March 13 sale, and certainly a sale total of £427,000 with only 16 of the 550 lots unsold would be the envy of most auctioneers, some of whom must be wondering if the railwayana market is ever going to run out of steam.

A HIGH Court judge has retired to consider his ruling in a case that could revolutionise the terms under which auctioneers do business.

ALTHOUGH most of the finest cast-iron mechanical money banks were made in America (and many of those by J&E Stevens of Connecticut), by 1885 a British company had got in on the act.

FURNITURE historian Bill Cotton and the Cotswold Antique Dealers Association (CADA) are among those participating in Chairs 2004, the first international chairmakers’ symposium. The new event will be held at the National Arboretum at Westonbirt, Tetbury from May 1-3.