Auctions

It is not unusual for an auctioneer to receive enquiries from members of the public who have seen items ‘identical’ to theirs in a newspaper, a magazine or on television. In reality the Queen Anne walnut chest turns out to be a 1920s reproduction worth £100 – but, yes, they do look almost identical.

DEMAND for good-quality, period stools continues unabated and one led Mervyn Carey's (10% buyer's premium) February 25 506-lot Kent outing. A Queen Anne walnut example, with drop-in, upholstered seat and scrolled cabriole legs, it sold at £3200, while a slightly lesser quality George I walnut stool, also with cabriole legs, managed a winning £950.

ON Radio Four’s Desert Island Discs of April 28 the castaway was painter Jack Vettriano (b. 1954). When asked by presenter Sue Lawley how much he thought his celebrated oil, The Singing Butler, would sell for at Sotheby’s on April 19, Vettriano’s response was that it would exceed the top estimate of £200,000.

With the Chinese economy expanding at an unprecedented rate, and Chinese tourists becoming increasingly numerous in Europe, China Trade paintings are an area of the art market that might prove a cannier investment than most.

QUALITY, rarity, condition, provenance and fashion all have a bearing on auction prices, but perhaps the most difficult criterion for any specialist to value is the appeal of an object’s quirkiness.

OF the 830 lots offered in Fieldings (12.5% buyer's premium) February 28 sale, a painting provided the highest price but a chair the biggest surprise.

THE gulf in value between fully authenticated pictures and those with mere attributions was clearly in evidence on March 4 when this 18th century Irish School landscape, right, came up for sale at the Amersham Auction Rooms in Buckinghamshire.

“ANOTHER glorious array of items from our railway heritage with many record prices,” was Ian Wright’s verdict after Sheffield Railwayana Auctions' (no buyer's premium) specialist March 13 sale, and certainly a sale total of £427,000 with only 16 of the 550 lots unsold would be the envy of most auctioneers, some of whom must be wondering if the railwayana market is ever going to run out of steam.

ALTHOUGH most of the finest cast-iron mechanical money banks were made in America (and many of those by J&E Stevens of Connecticut), by 1885 a British company had got in on the act.

IS there currently a more buoyant sector of the ceramics market than Beswick animals? Malcolm's No. 1 Auctioneers (12.5% buyer's premium) March 29 sale, held at Trustees Hall, Boston Spa, attracted what Malcolm Dowson estimated to be his largest ever attendance in over 20 years of auctioneering. The primary reason? A private collection of Beswick horse figures entered without reserve by a local resident who has decided to live in Spain.

THIS weekend (April 17-18) Northumberland auctioneer Jim Railton will sell the residual contents of the late Dowager Countess of Tankerville’s estate house in Chillingham, pictured right.

The Death of Munrow, depicting the attack by a tiger on a certain Mr Munroe in 1793 when he was out on a hunting party on Saugar Island in West Bengal, is one of the most dramatic and celebrated subjects to be recorded in Staffordshire earthenware. As a result it usually commands a high price when it comes up for sale at auction but few could have predicted the $130,000 (£74,285) (plus buyer’s premium) realised for the example that appeared at Sotheby’s New York last week.

ONE can always rely upon Lincolnshire auctioneer Chris Richardson of Richardsons, Bourne (15% buyer's premium) for a straight up-and-down opinion of business in his area.

ONE of the hottest Modern British names in the last few years, has been Winifrid Nicholson (1893-1981), whose half-length portrait of her husband Ben Nicholson made a record £100,000 at Lawrence’s, Crewkerne in January 2002.

WITH sales of standard furniture chugging along – but at least finding buyers – Gildings (12.5% buyer's premium) of Market Harborough, in common with many in the provinces, looked to ceramics and clocks to provide the day’s highlights at their March 16 sale.

With a dozen works by the artist currently on show at Tate Britain’s Pre-Raphaelite exhibition, Sussex auctioneers John Nicholson (15% buyer’s premium) could hardly have picked a better time to offer a watercolour by George Price Boyce (1826-97) than at their March 17 sale in Fernhurst.

BUCKINGHAM-based Dickins Auctioneers have pulled a major rabbit out of the hat for their inaugural Spring picture sale on April 17 by including a previously unseen collection of 24 Erté (1892-1990) gouache theatrical costume designs which will include this one, right, for Showgirls.

From the standpoint of manufacturing history, dispersals of any factory collection are always tinged with sadness.

NOT all the market resides in a state of stagnation.

THE strength of this Bearne’s (15/10% buyer's premium) March 2 & 3 Devon outing lay in the 72-lot furniture section, although the fairly routine ceramic selection was also notable for a high take-up by lot and some healthy prices. What turned out to be the two star furniture lots were given cautious catalogue entries and estimates which reflected a knowledge of the current wariness among specialists about the numbers of altered, or overly restored, pieces of furniture peppering the market.