Auctions

BELGIUM: LIEGE was an important silver centre in the 18th century under its wealthy prince bishops, so it is no surprise that these days the city hosts some of Belgium’s leading silver sales.

A number of auctioneers have reported their best sales of the year in December and the North Cornish firm of Kivells (10% buyer’s premium) were in that happy position following their sale at Bude, on December 12. It was not merely the best of the year but their best sale ever.

UK: Hamptons’ sale of Antiquarian & Modern Books and Maps at 11am on Thursday, February 13 will be a sad occasion both for the auctioneers and local book buyers. For years Thorpe’s of Guildford, under the late Charles Traylen, have been a familiar face at Hamptons auctions, and for much longer local bibliophiles have spent many a happy hour in the first floor barn of a room at the shop.

Gino Severini’s Les objets deviennent peinture (vase bleu et maïs) was one of the most significant lots in Christie’s 310-lot auction of Contemporary art in Rome on December 18. Dating from 1965, this picture was the last oil still life he was to paint and, indeed, one of the last works to be finished before his death.

LARGE quantities of antique pewter are rarely seen at auction these days but even so, the supply of ordinary material is hardly met with rampant demand. As such, prices were kept down for the majority of the 122 pewter lots that Bonhams had impressively gathered for their Chester sale on 17 January.

“SELECTIVE” can mean “poor” when auctioneers apply the word to bidding and the downward spiral of brown furniture prices has emphasised this. But it was an accurate enough description of bidding on furniture offered among the 1200 lots at the Clifton rooms, for when there was a piece of unusual quality it sold well.

DAVID Duggleby of Scarborough and Lyon & Turnbull of Edinburgh have joined the Society of Fine Art Auctioneers. The announcement of their membership comes as SOFAA also open their doors to valuers for the first time and change the society’s name to the Society of Fine Art Auctioneers and Valuers.

There were two surprising results at the Lempertz Asian Art sale in Cologne on November 22-23. This large, anonymous Japanese 17th/18th century Indian ink and watercolour, Daimyô in Kamishimo with tachibana weapons and two swords on a tatami mat, paper 4ft x 2ft 10in (1.22m x 86cm), right, soared 100 times estimate to make €80,000 (£51,300).

This icon of 20th century modernist design – Marianne Brandt’s celebrated tea infuser of 1927 was one of the highlights of Phillips de Pury & Luxembourg’s (19.5/10% buyer’s premium) 117-lot sale of 19th and 20th century design on December 11.

The easel that was used to create some of the most celebrated nursery images of the 20th century will be going under the hammer later on this month.

FILLED with nearly 200 dazzling images of battles, knights, damsels in distress, tournaments, and castles that represent the finest work of the Rouen illuminators of the early Renaissance and captures all the pageantry and drama of the Hundred Years’ War, the extraordinarily fresh illuminated manuscript of Froissart’s Chronicles that sold for £2.75m at Sotheby’s on December 3 must have been the finest and most profusely illustrated manuscript of that famous work ever made.

A 1467 second edition of the second part of Thomas Aquinas’ Summa theologiae, a massive treatise on moral rather than dogmatic theology that stands as an independent work, was one of the earlier printed highlights of a $4.69m (£2.97m) sale held by Sotheby’s New York on December 13, and once again it was one of a number of lots making a rapid return to the rooms.

A full-length Plains Cree Indian male costume from Saskatchewan River in Canada, consisting of a moose-hide shirt, pair of bottom tab leggings, and pair of soft-soled moccasins, sold for €130,000 (£83,300) at Millon & Associés (17.5/13.5% buyer’s premium) on December 2.

ON December 10 Cambridge auctioneers Cheffins (15% buyer’s premium) offered the residual contents from the home of amateur painter and gallery owner Olive Cook, whose early friendships with Henry Moore and Eric Ravilious helped hone her artistic eye.

High quality watches are still in demand but condition is all-important to today’s discerning collectors. At a sale devoted entirely to watches at Christie’s King Street back on November 26, this gold chronograph pocket watch, right, by Louis Audemars c.1870 took £40,000.

Despite the recent media interest in the routine sale of Royal gifts through household staff and approved dealers, the practice of flogging Crown chattels is nothing new. More official and intimate material of royal provenance has buoyed the market for decades, if not centuries.

THE sad plight of silver is as well known as the boom in all Arts and Crafts pieces – what happens when the two come together was the question at Sworders’ sale when this pair of plated candlesticks, right, were offered.

CHRISTIE’S have unveiled some major changes for their 20th century decorative arts policy in Europe. The auction house have closed their King Street department and are concentrating all their London activities in decorative arts at South Kensington. They also want to develop and raise the profile of this field in France with regular dedicated auctions in Paris under specialist Sonja Ganne.

Fully coloured as intended, and presumably under the direction of the author/publisher, the uroscopic woodcut reproduced right is found in an internally fine copy of Ulrich Pinder’s Epiphanie medicorum… printed in Nuremburg in 1506 and is intended to show different shades of urine.

One of the most significant and comprehensive sales of Victorian paintings for some time is to take place next month when The Forbes Collection of Victorian Pictures and Works of Art goes under the hammer at Christie’s King Street. The sale of more than 350 lots comprises almost the entire collection, which was assembled over three decades by one man, Christopher Forbes, of the well-known American publishing family, and was housed until now at Old Battersea House.