Auctions

A TAKE-UP of 570 lots of the 600 on offer at Clarke Gammon– mainly from a local deceased estate – and a grand total of £75,000 revealed a market in buoyant mood at Guildford on 11 September where the best of a number of highlights answered the current demand for early textiles.

The imminent cessation of all sales – including wine – at Sotheby’s Chicago has left a gap in the Mid-West market that newly-established wine auctioneers Edward Roberts International are keen to fill. Brainchild of Edward Robert Brooks, the much-travelled head of Christie’s and the short-lived Phillips’ North American wine departments, Edward Roberts will mount their first live sale of fine and rare wines at The Union League Club of Chicago on Saturday, November 10.

“For the really top things there’s no shortage of buyers, but the middle ground is weaker,” affirmed Stephen Mould of Sotheby’s wine department. “If you’ve got large parcels that depend on the trade, then bidders are more cautious. But if you’ve got small quantities of the finest things there are plenty of private buyers prepared to pay good money.”

Jean-Vital Remy was one of the most determined and assiduous Dinky toy collectors. Over a relatively short space of time – around 15 years from the mid-1980s – this Belgian enthusiast built up an enormous assemblage of French and English Dinkys spanning the entire production period. His desire for comprehensiveness and determination to acquire pieces with unusual colour or design variations made him a formidable adversary when it came to buying, whether at auctions or in shops or fairs.

THIS week sees the announcement of two new auction houses for the West Midlands, the first based in Stourbridge, near Birmingham, the second in Newport, Shropshire.

Any dealer, collector or curator would love to get hold of the ultimate reference catalogue of Victorian artistic design, especially if it was bound in gilt stamped red morocco and velvet housed in a purpose-built satinwood cabinet complete with four volumes of jury reports and a case of five medals.

At the end of the morning session of Sotheby’s Garden Statuary sale at Billingshurst, the National Trust took over the rostrum to offer such items for gardening enthusiasts as an avenue of 40 young limes from the Trust’s nursery in Cheshire, home visits from Trust gardening experts and so on, but the piece of trade interest was a scrapbook kept by Vita Sackville-West at Sissinghurst donated by her son Nigel Nicolson.

FRANCE: The 2nd part of the J. Lemarchand Collection of trains and toys came under the hammer in Chartres (Lelièvre-Maiche-Paris) in a 680-lot sale on September 15 & 16.

Stanley Matthews’ 1953 FA Cup winner’s medal, sold for £20,000 to TV presenter and Stoke fan Nick Hancock, was the lot on which national media publicity focussed, but the Football Memorabilia sale held by Sotheby’s on September 21 – one of the first sales at the new Olympia salerooms – also contained some 150 lots of programmes, match cards, magazines and related ephemera.

AS EVER, this Norfolk sale on 14 September at Keys, Aylsham provided an eclectic mix of stock, from the seriously antiquarian to the frivolous, from a 16th century summation and translation of Anglo-Saxon laws to a famous tale of porcine practicality.

Leonard Rosoman (b.1913) is an artist whose technical skill and individuality of style has never quite captured the imagination of the art market in the way that more widely recognised contemporaries like Edward Burra have.

COPENHAGEN: Combining the current commercial attractions of Denmark’s so-called Golden Age painters of the early 19th century with plein air oil sketches by artists made in Italy during the same period, an intriguing group of small canvases by three, albeit relatively minor Danish Golden Age artists sketching in Italy proved to be a predictably desirable target on the second day of Bruun Rasmussen’s (25% buyer’s premium) September 3-5 sale in Copenhagen.

Gordon Russell, the Cotswolds School designer, is now famous for his austere designs of utility furniture. Unfortunately for Russell, this means that his work is often neglected and undersold by owners who do not realise his significance in the history of Arts and Crafts design.

THE Essex auctioneers Trembath Welch put together a sound 450-lot sale on 10 September to open the autumn season and were rewarded with generally solid prices and one happy surprise to offset one disappointment – an almost inevitable event in the currently hyper-selective market.

The September 20 auction of Doulton, Poole and Carlton ware at Christie’s South Kensington (17.5/10% buyer’s premium) was a three-part sale that gave two distinctly different performances.

AUTUMN opened at Sotheby’s Sussex with a modest, but quite keenly bid for, furniture offering where the top sellers were two (7ft 6in (2.29m) William IV pine and oak bookcases.

“THIS was a very good way to get the season rolling,” said auctioneer Ben Lloyd of this 371-lot sale at Mallams Oxford on 7 September from which only one lot remained unsold.

CANTERBURY Auction Galleries are celebrating the relaunch of their rooms after a £300,000 modernisation programme. The Lord Mayor of Canterbury, Councillor Fred Whitemore, will re-open the rooms on October 4, revealing, among other changes, a grand new slate staircase and entrance lobby, with new reception area.

“It never gets any easier, it only gets more difficult,” a dealer told Guy Schooling before Sworders’ autumn sale on 18 September. Certainly the Essex auctioneer was ready to assume the worst after a summer so quiet he had to cancel a general sale in August, but the market is also known for its unpredictability, and a frantic two weeks at the beginning of September brought more than 500 lots through the doors.

An evening sale of contemporary ceramics, held by Phillips (17.5/10% buyer’s premium) on September 25 yielded a healthy set of overall statistics and some strong individual results. Just over three-quarters of the 200-odd lots changed hands (82 per cent in value terms) chalking up a net total of just under £390,000.