Auctions

To you and me it’s just a 1950s enamel station sign but to railwayana enthusiasts – and to Gloucestershire Worcestershire Railwayana Auctions who are currently selling it at their first private treaty auction – this is quite simply the most desirable ‘totem’ ever to come on the market. So what’s all the fuss about?

The combination of a single-owner collection in a specialist niche corner of the market with a not over-large and mostly market-fresh selection of realistically estimated material were the keys to the warm reception that greeted Sotheby’s (20/12% buyer’s premium) sale of Scientific instruments in their Olympia rooms on May 28. All bar 15 of the 155 lots, just short of 90 per cent (92 per cent by value) changed hands for a total of £262,350.

VENERABLE top Mayfair dealers Partridge hold an exhibition of French clocks at their gallery at 144-146 New Bond Street, London W1 from June 12 to 28.

AN early 19th century bowfront chest of five over three drawers, mahogany strung with satinwood. Doesn’t sound too special does it? That’s until you realise that the description is of a fully fitted tea caddy measuring just 91/2in by 8in high (24 by 20cm). Lots of interest in this rare novelty saw it climb to take the top price of David Lay’s mammoth Penzance sale at £4400.

Highest bid among the 158 lots of Impressionist & Expressionist works on paper in the Tremmel collection auctioned by Ketterer Kunst on May 5-6 was the €130,000 (£89,700), just over top-estimate, paid in the room by a Rhineland dealer against six telephone bidders for Ernst Ludwig Kirchner’s Fränzi am Wasser Liegend (Fränzi Reclining at the Waterside, c.1910) in gouache, watercolour and chalk, 13 x 17in (33 x 43.5cm).

THOUGH the May 21 sale held by Dominic Winter was a collectors’ sale that also included motoring, maritime and railway models, photographs, prints, etc., it was the aviation material that had star billing. There was yet another selection from the Amédée Gauthier collection of photographs, arranged as before in thematic lots.

Included among the fountains, wellheads and lead figures at Sotheby’s Sussex on 20-21 May were 18 watering cans from the collection built up over 15 years by John Massey, a senior director of the famous Haws Watering Can Company for over 25 years.

Greg Martin is a name synonymous with the finest and the most spectacularly expensive of American firearms. In this respect the June 16 Greg Martin Auctions sale will live up to expectations with a rare 1849 Colt revolver, but most British attention will be focused on a group of Nelson memorabilia which includes Vice Admiral Collingwood’s copy of Nelson’s standing orders for battle, drawn up on the Victory on October 9-10, 1805 and signed Nelson & Brontë.

Among the highlights of the collection of the late John Stewart Parry sold by Bruton Knowles at the Tithe Barn, Southam from May 19-23 was this carved and painted wood armorial figure of a greyhound. Standing 211/2in (55cm) high and retaining its original paintwork, the 19th century piece received plenty of interest from the trade before it was knocked down to a London dealer for £3600 (plus 15% buyer’s premium).

Christie’s have helped negotiate the sale to the Victoria and Albert Museum of the Castlereagh gold inkstand created by Paul Storr and Philip Rundell for the British diplomat Viscount Castlereagh (1769-1822) in 1818.

Christie’s South Kensington : May 15 was a crowded day in the Decorative Arts calendar. Both Christie’s South Kensington and Bonhams’ Bond Street rooms fielded sizeable decorative arts selections, much of it of crossover interest, which presumably presented potential buyers with something of a dilemma when it came to deciding which sale to attend in person.

Every dealer has one – a painful story to relate about some rare and valuable object they let pass fleetingly through their hands at a knock-down price only to learn later of its true significance and value.

Apparently consigned for sale by a local lady who had no idea of its commercial potential – it had been acquired as holiday reading when she was a young girl – a 1937 first edition of The Hobbit was sold at £10,300 in a general antiques sale held by Fieldings in Hagley, Worcester-shire, on April 26.

CHRISTIE’S (20.93/11.96% buyer’s premium) eschewed Art Nouveau altogether at their 20th Century Decorative Arts sale on May 20. This short outing was 83 per cent sold by lot (63 from 76) and 87 per cent by value, and raised a premium-inclusive €3.41m (£2.35m).

The ARTS & CRAFTS section of the most recent of the 20th Century Art & Design sales to be held in Cincinnati by Treadway & Toomey Galleries partnership on May 3 kicked off with a Gustave Stickley dining table at $12,000 (£7360), and Stickley pieces of all shapes and sizes popped up regularly thereafter.

One of several items consigned to Woolley and Wallis in Salisbury by descendants of the 7th and 9th Dukes of Newcastle for sale on May 13, this Regency mahogany centre table with profusely carved trestle supports in the manner of Thomas Hope surprised auctioneer and vendor alike when it breezed past its £800-1200 estimate to sell for £57,000 (plus 15/10 per cent buyer’s premium).

This portrait in oils depicts Willie Park Senior of Musselburgh who won the very first Open Championship held at Prestwick Golf Club in 1860. Painted by an unidentified hand c.1860, when Park first leapt to fame (he won the championship again in 1863, 1866 and 1875), it is believed to be the only known contemporary portrait of a 19th century Open golf champion.

It seems that in terms of arriving in numbers after none has been seen for ages, novelty lighthouse cocktail shakers are to Yorkshire what No. 9 buses are to central London. In Antiques Trade Gazette No.1589 dated May 17 we illustrated just such a silver-plated shaker which took £1250 at Andrew Hartley’s Ilkley, West Yorkshire sale on April 9-10.

It was a poignant irony that the contents of the North Hampshire vineyard that had so impressed Her Majesty should come up for auction in the same month that another offering of Château Mouton-Rothschild was making a less than favourable impression with the British establishment.

JUNE is very much the traditional month for London’s high season in the art market. However, in the middle of May we had a taster of the frenzied auction activity usually associated with that month, a mini tsunami of high-flying sales with a clutch of dramatic and record-breaking prices.