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Though blessed with means of communication beyond the comprehension of anyone of Nelson’s navy – superior by far to signal beacons, semaphore and speeding sloops and cutters – an unfortunate breakdown in these modern methods meant that the two Nelson items featured in last week’s reports were not joined by what proved to be the star turn in a Lyon & Turnbull sale of February 1.

WELSH organisers Amulet Fairs are at Deeside on Sunday February 27 and then, on March 6, at Llangollen. Remember to bring your euros.

JUST a couple of years ago, specialist glass fairs were proliferating. That frenzy seems to have settled down of late, probably because the serious glass dealers understandably are getting choosy. But one that increasingly is making its mark is the Cambridge Glass Fair, organised by Paul Bishop under the name Oxbridge Fairs, which will be held for the fifth time this Sunday (February 20) at Chilford Hall Vineyard, Linton, Cambridgeshire.

More Nelson fever to report. The exterior to this rounded rectangular George III silver vinaigrette by Birmingham smith Matthew Linwood is really very plain but open it up and it reveals a gilt hinged grille embossed with a ship portrait inscribed Victory and flanked by the word Trafalgar and the date Oct 21 1805.

A remarkable array of art and antiques seized by the High Court from an Austrian businessman convicted of fraud were sold by a small-scale Buckinghamshire auctioneer last week.

DISTINGUISHED Kensington early English pottery specialist Jonathan Horne, whose stock is as popular with his many American collectors as on the home market, returns from the New York Ceramics Fair to his shop at 66c Kensington Church Street, London W8 from February 22 to March 5 for his 25th annual exhibition.

Buoyed by rising stockmarkets and the continuing strength of the euro against the pound, European private collectors were buying in force at Sotheby’s and Christie’s February round of Impressionist, Modern and Contemporary art sales in London.

A New York jury has ruled in a legal case that has locked the horns of the two biggest names in real-time Internet bidding.

Fine Art Auctioneer Dr. Jürgen Fischer in Heilbronn, Germany has announced an important forthcoming sale of European and Studio Glass to be held on 11th and 12th March 2005.

The Simon Hall collection of cookery books, to which were added lots from other sources, was offered by Dominic Winter on January 27.

SEVEN-figure prices are rare in continental Europe, so there was jubilation in Cologne when a work by Kurt Schwitters (1887-1948) climbed to €1.2m (£857,000) at Lempertz (22.04% buyer’s premium) on December 4.

Appearing at Frank R. Marshall’s (15% buyer’s premium) sale at Knutsford, Cheshire on January 11 and selling at £720, was this 10 x 7in (25 x 18cm) oil-on-canvas, right, by Augustus Edwin Mulready (fl1863-1880 d.1886). Framed, mounted and indistinctly signed, it showed a characteristic subject for the artist, and was estimated at £200-300.

AFTER almost five years in the heart of London’s West End, one of our top dealers, Kevin Smith of Windsor House Antiques, has decided Mayfair is not for him.

Following the lead of The Fine Art Auction Group, Fernhurst auctioneers John Nicholson are to increase their buyer’s premium from 15 to 17.5 per cent.

Preview: One of the classic images of the Victorian era is the picture of the resolute monarch on horseback with her trusted servant and confidant John Brown. This photograph, taken in 1864, is to be found in a remarkable album of memorabilia that the auctioneers Sebök (17.24% buyer’s premium) in the Bavarian city of Bamberg are offering on March 5.

Franz Xavier Messerschmidt (1736-83) was one of the most extraordinary figures in the history of Western art.

A CONFERENCE addressing the special problems facing the art and antiques trade will be held at the Earls Court Conference Centre in London on Monday, May 16.

With Sir Walter Scott setting the tone and Victoria and Albert in the vanguard, 19th century followers of fashion developed a highly romanticised passion for all things Scottish.

With standard prices of antique furniture failing to keep pace with the property market (reported on the front page of last week’s Antiques Trade Gazette), even the most optimistic market observer could be forgiven for doubting the commercial potential of a mahogany hybrid offered at Bonhams Knightsbridge (19.5/10% buyer’s premium) on January 17.

At first glance, this 7ft 6in x 5ft 7in (2.28 x 1.70m) canvas, right, of the Temptation of Adam by the French artist Jean-Baptiste Santerre (1651-1717) might seem to be a fairly standard, if unusually large, depiction of one of the most hackneyed religious themes in Western art.