Art Market

The £140,000 record-breaking Cedric Morris lower painting at Chichester saleroom Henry Adams (plus 20% buyer’s premium) was not the only work by an artist-plantsman to feature in the January 17 sale (see ATG No 2377 for more on that Morris result).

Three modestly valued works in regional sales.

“There’s no money around in January” is the refrain you often hear from businesses in the new year. But, as we know, the auction world behaves differently from other commercial markets.

An English School painting depicting one of the earliest venues in cricket was knocked down at £14,000 in a Winchester auction.

Modern British pictures by female artists made a major contribution to the bottom line at Sworders’ (23% buyer’s premium) dispersal of the Barbara Holliday Collection.

Three modestly valued works sold in regional sales.

An unusual Chinese School picture of a 17th century Dutch missionary scene led Christie’s (25/20/12.5% buyer’s premium) £2m sale of topographical pictures in London.

Greenslade Taylor Hunt’s (19.5% buyer’s premium) first sale of the year got off to a bright start with a Singaporean painting sailing to £19,000.

Three modestly valued works sold in regional sales.

Gerald Brockhurst (1890-1978) was already an established etcher when his captivating canvases of society women catapulted him to fame during the interwar years.

Much of the pre-sale interest in the 19th century paintings offered at the major London rooms centred on two landscapes by Caspar David Friedrich (1774-1840) at Sotheby’s (25/20/12.9% buyer’s premium).

Edward Coley Burne-Jones (1833-98) was the toast of London during the latest Victorian art sales held in the capital, where buyers continued to covet blue-chip Pre-Raphaelite art, market-fresh material – and invest in female names.

A trademark nocturnal scene by Victorian painter John Atkinson Grimshaw (1836-93) got away on low estimate for £80,000 at John Nicholson’s (25% buyer’s premium) of Haslemere in Surrey.

Four works sold in Essex auction could be part of Marks’ Eaton Hall commission.

Portraits of prize-winning racing pigeons are the latest must-haves in decorative collecting circles, judging by a recent spate of high prices in the regions.

This unfinished oil sketch of a tree was kept by pre-Raphaelite painter John William Waterhouse (1849-1917) until his death and sold in his last major studio sale, held in 1926 at Christie’s.

A selection of three works priced under £1200 at UK regional auctions.

More female talent emerged at Roseberys in the form of this fiery piece of Abstract Expressionism below by American painter Grace Hartigan (1922-2008).

The Victorian Conservative politician Lord Coventry is believed to have commissioned this portrait of favourite hounds Rambler and Marksman.

This seasonal watercolour of figures ice skating in the Lake District (below) sold for a mid-estimate £3600 at local Cumbria saleroom Mitchells (20% buyer’s premium) on November 28.