International (print edition)

Early-18th century porcelain scent bottles from Chelsea and the St James’s factory have been the object of increasing interest and value in recent years. Some high-flying examples emerged in the sales in New York.

Plenty of affordable Wedgwood from all eras was available in the Stair sale.

After their intitial interest in Wedgwood, the Starrs went on to collect other examples of early English porcelain, some of which was keenly pursued in Sotheby’s sale.

The Starrs collection at Sotheby’s featured 25 reticulated vases or decorative objects produced by George Owen for Royal Worcester, most them purchased at auction in the early 1980s.

The large collection of predominantly English ceramics offered by Stair Galleries from a New York collector included examples of 18th century porcelain from many of the major English factories.

After training in Düsseldorf and Paris, where he had met Rodin and Maillol, both of whom had a major influence on his work, the German sculptor, painter and architect Bernhard Hoetger (1874-1949) joined the artists’ colony in Darmstadt in 1911.

In the first decades of the 19th century, watchmakers in many parts of Europe made a living by producing highly ornate watches and gold boxes, many of them for Chinese buyers.

During the late 18th century, schools of netsuke carving were established throughout Japan.

It is no coincidence that a glass bowl designed by Carl Witzmann (1883-1952), which was sold at Dr Fischer (28% buyer’s premium) in Heilbronn on October 19, reminded bidders of works by the great Austrian designer Josef Hoffmann. Witzmann was, after all, one of his pupils.

The first incarnation of the porcelain factory in Höchst near Frankfurt existed for exactly half a century. It was founded in 1746, making it the second-oldest producer of porcelain in Germany after Meissen.

In recent years, Geble (22.61% buyer’s premium) in Radolfzell has sold several paintings by the Singaporean artist Cheong Soo Pieng (1917-83) from a German collection.

Dorotheum (28/25/22/18% buyer’s premium) in Vienna could boast two seven-figure prices in as many days, including the highest Austrian auction price of this year so far.

Although her career as a photographer lasted only some 16 years, Julia Margaret Cameron (1815-79) is acknowledged as a pioneer of the medium, creating a remarkable oeuvre of portraits and other photographic compositions.

One of the biggest surprises at Nagel’s (33% buyer’s premium) sale in Stuttgart on October 16-17 came right at the end of the auction.

“There is no such thing as modern art, there is only art and it is perpetual.” The author of these lines was, perhaps surprisingly, the highly modern Austrian painter Egon Schiele and are part of an artistic manifesto written on July 17, 1911.

The private collection of the late auctioneer Rudolf Neumeister was on offer at the saleroom bearing his name – which is now run by his daughter.

This small-scale wall mirror by Line Vautrin from c.1950 measures approximately 15in (38cm) in diameter.

Among several auctions devoted to Old Master and 19th century paintings taking place in Paris this month will be the 66-lot sale held at Sotheby’s on November 19.

Going to the Fields by the Cezch artist Joža Uprka (1861-1940) is one of the potential best-sellers of Bonhams’ sale of 19th century European paintings in New York on November 20.

This sheet of studies of a monkey in red chalk on paper by the St Petersburg-born artist Alexander Jacovleff (1887-1938) will be offered in Il Ponte’s sale of 19th century paintings and sculpture in Milan on November 21.