London

A late 19th century/early 20th century ruby cameo and baroque pearl pendant once formed part of the celebrated jewellery collection assembled by Ganna Walska (1887-1984). It sold for a multi-estimate £55,000 at Sotheby’s (25/20/12% buyer’s premium) sale of fine jewels in Bond Street on March 22.

A textbook Renaissance style jewel by Carlo Giuliano (1831-95) led a strong jewellery offering at Thomas Watson (24% buyer’s premium) in Darlington on March 21.

The rivière – one of the most popular and enduring styles of necklace to come out of the Georgian period – features an endless line of matched or subtly graduated gems set within inconspicuous collets. However, as Marielle Whiting at Woolley & Wallis of Salisbury points out, seldom are they equals.

Waterhouse & Dodd’s upcoming exhibition focuses on the influence of David Bomberg’s (1890-1957) paintings on a wide circle of artists.

A former chairman of Christie’s South Kensington has written an open letter to owner François Pinault warning that his plans for the company could “gravely harm Christie’s in London”

A previously unknown complete set of Goya’s La Tauromaquia led Sotheby’s sale of Prints & Multiples in London on April 4.

With every one of the 531 lots sold, from an oak gateleg table that opened proceedings to a 1925 Douglas motorcycle, the March 29 Bonhams (25/20/15% buyer’s premium) sale of contents from Glyn Cywarch, a Welsh home of the Lords Harlech, was one of those ‘white-glove’ sales in which auction rooms take such pride.

A large, late work by JMW Turner appears at Sotheby’s on July 5 with an estimate of £15-25m.

Back for its 10th year, the annual Modern Movement Design Fair is held in a watery setting alongside the outdoor pool at the Grade II-listed Art Deco Brockell Lido in south London.

Featured in a recent report (ATG No: 2286), a copy of Sir Charles Doyly’s Views of Calcutta and its Environs that sold for £14,000 at Chiswick Auctions (22% buyer’s premium) on March 22 was one of many lots – both printed and manuscript – that came with a Harrington family provenance.

A ground-breaking Mayfair exhibition takes a rare focus on first examples of the maiolica technique.

Two versions of Edgar Degas’ (1834-1917) statue of Petite Danseuse de Quatorze Ans exist. The traditionally recognised example, one bronze of which stands in the Tate Modern, was the only one known for many years and is a posthumous cast of Degas’ wax sculpture.

Alexandra Alfandary specialises in Meissen ware and other European porcelain, with a particular concentration on 19th century Meissen. She is a regular exhibitor at fairs and is a member of BADA and LAPADA. Her shop is in Portobello Road.