London

THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.

ON June 4, as part of the Fortunoff library, Bloomsbury Auctions sold a 1936 first of John Maynard Keynes’ enormously infleunetial General Theory of Employment, Interest and Money for £1700 (Bauman).

IN its latest published results, Partridge have recorded a significant fall in both turnover and profits citing again the very difficult trading conditions.

IT is not often that an antiques dealer ends up on the walls of the National Portrait Gallery, but until September 19 that is just what is happening.

THE Chelsea Flower Show may be just a fading memory, but Hove-based organiser Cindy Mainwaring, who has been putting together popular monthly fairs at Chelsea Old Town Hall for the past 26 years, is determined her fair this Sunday will be blooming.

IN the same week that Sotheby’s and Christie’s were offering their summer selections of English furniture, Bonhams’ Bond Street (19.5/10% buyer’s premium) offered a 224-lot English and Continental mix that also incorporated a sizeable selection of works of art. The broader mix didn’t result in a higher take-up: selling rates for this July 29 event were 54 per cent by lot and 65 in money on a £640,440 total.

THE forerunners of their kind may have been a relatively humble form of seating, but, as two lots in the recent English furniture sales showed, it wasn’t long before the Windsor chair began to branch out.

WHILE much of the art dealing world struggles to keep its galleries open, one City-based family firm is actually expanding to two London showcases.

FOLLOWING last year’s inaugural, successful summer show of graduate student’s work, The Metal Gallery at 90 Mount Street, London W1 have declared this an annual event and this year’s selling exhibition, The Graduate 2004, will run from July 21 to September 11.

HAVING spent millions of pounds revamping their Bond Street flagship saleroom, could Bonhams (19.5/12% buyer’s premium) succeed in attracting the sort of prestigious consignments of Modern and Contemporary art which are going to be the life-blood of any successful international auction house in the early 21st century?

I HAVE been asked to alert readers to the annual Beadwork and Bead Fair – and why not? There are many more arcane items which have societies devoted to them and beads obviously have staying power for the fair has been going for 15 years.

THE considerable coverage given to Asia Week in London, on these pages and in the national press, rather neglected one gallery which was bringing the art of the Orient to London long before the Asia week promotion was thought of.

THE work of the pioneering Victorian designer Christopher Dresser is soon to have a major public airing in an exhibition at the Victoria and Albert Museum opening this September. In the meantime the rarest examples of his iconic designs continue to command high prices in the marketplace.

A SMALL group of animal stirrup cups provided the high points at Christie’s South Kensington’s silver sale held on June 16 affirming the evergreen appeal of novelty and collectors items over more useful hollowares.

THE Fan Museum in Greenwich, the world’s only museum entirely dedicated to the history of fans and the craft of fan-making, have acquired an important fan painted around 1889 by Walter Richard Sickert (1860-1942).

THE National Maritime Museum are asking for help in tracking down two missing paintings by William Hodges. The works The Effects of Peace and The Consequences of War were last seen at a European Museum sale at Christie’s in 1813.

COMBINE the perennial appeal of the Fabergé name with the current demand for all things Russian and it has been no surprise to see soaring prices for pieces by this famous firm in recent seasons.

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

TWO very strong prices, one in Edinburgh and one in London have underlined the status of the Zeigler as the most fashionable of late 19th century carpets. And the £110,000 and £130,000 bid for Zeigler & Co. carpets at Lyon & Turnbull on March 31 (Antiques Trade Gazette 1636, April 24) and Sotheby’s on April 28 (Antiques Trade Gazette 1641, May 29) had one thing in common – both were made with cream grounds.

WHEN does a jumbo tent look sophisticated and soigné? When it houses 77 galleries participating in artLONDON, which took place between June 9-13 at Burton’s Court in Chelsea.