London

This Women’s Social and Political Union medal for valour was awarded to Mary Richardson, the Canadian-born militant suffragette who, in protest at the re-arrest of Emmeline Pankhurst in March 1914, slashed the ‘Rokeby’ Venus with an axe at the National Gallery.

While Sotheby’s incorporated their best objects of vertu into their silver sale on November 20, Christie’s offered theirs in tandem with portrait miniatures in a 264-lot sale the following month on December 9. The vertu side of the sale performed particularly well, with hardly any failures, most of the 55 unsold lots coming from the miniatures.

The object on which the keenest attention in the works of art world was focused this month was this 161/2in (42cm) diameter, 15th century parcel-gilt and silvered bronze roundel depicting Mars, Venus, Cupid and Vulcan.

SOTHEBY’S chief executive Robin Woodhead has confirmed that whatever happens with the casino plans at Olympia, his company are committed to maintaining two salerooms in London. He made the pledge during an in-depth interview with the Antiques Trade Gazette in which he also explained that flexibility over staffing and the running of sales were key to future success.

LONDON dealer Caroline de Kerangal is happy dealing from home and a couple of times a year at the decorative fair in Battersea Park, but she occasionally gets the urge to work from a shop, and it appears to be a seasonal thing.

François Linke 1855-1946: The Belle Epoque of French Furniture by Christopher Payne, published by the Antique Collectors’ Club. ISBN 1851494405 £75hb

Return to original Art College venue: FACED with the unexpected loss of their 2004 fair venue, the organisers of the 20/21 British Art Fair have struck a deal for a new space at short notice. Next September 15, the five-day fair will return to its previous venue, The Royal College of Art.

IT was one of those landmark events that generated a perceptible buzz of expectation and drew the English porcelain collecting fraternity out of the woodwork en masse. Bonhams’ November 26 auction of the collection of the late Billie Pain pulled a capacity crowd to their Bond Street rooms and saw the trade and private collectors contest the 341 lots of prime early English porcelain to almost £782,000, getting on for twice the pre-sale predictions.

West End public relations firm Focus PR have been appointed to head up communications services for next summer’s Fine Art and Antiques Fair at Olympia.

Gone are the days when collectors could afford to ignore anything but the finest quality early 18th century imperial porcelain in mint condition. The burgeoning of interest in this field from Far Eastern collectors has ensured that when such pieces come under the hammer, the prices realised are out of the reach of all but the seriously wealthy.

Dealers and collectors with money in their pockets at the end of Asia week were rewarded with a trip to Christie’s South Kensington (17.5/10% buyer’s premium) on November 14. The room was full for this 478-lot auction, with mainland Chinese and Far Eastern buyers interested in two conservatively estimated, market-fresh, non-European collections of Chinese calligraphy brushes and archaic jades.

Christie’s King Street (19.5/10% buyer’s premium) were the only major house not to offer a single-owner sale in addition to their 163-lot mixed owner outing on November 11, but they managed to find buyers for the best quality private entries that sold well.

BUCKINGHAM Palace will host an extensive exhibition next year entitled George III and Queen Charlotte: Patronage, Collecting and Court Taste. Opening on March 26 in The Queen’s Gallery, it will feature 500 objects, drawn entirely from the Royal Collection and constituting what is thought to be one of the largest and finest groups of Georgian material ever assembled.

This impressive and highly finished late Queen Anne model of a 40/44 gun 5th rate ship, right, created a huge splash in Christie’s South Kensington’s 554-lot sale of Maritime models and marine paintings on November 19 when it sold for £600,000 (plus 17.5/10% premium), single-handedly providing over a third of the sale’s £1.36m total.

Plans are serious but it will take years to fulfil them: Olympia’s owners have assured the Antiques Trade Gazette that plans for a large casino at the West London exhibition complex will not affect the Fine Art and Antiques Fairs.

IN February 2004 Sotheby’s New Bond Street will mark the centenary of Cecil Beaton’s birth with an exhibition of his most celebrated photographs. Beaton at Large, which runs from February 10 to 20, will complement the National Portrait Gallery’s major retrospective, Cecil Beaton: Portraits, which runs from February 5 to May 3.

Italian Sales: FOR the first time in 10 years, neither Christie’s nor Sotheby’s held an October sale of German and Austrian art. The German economy is currently in far too fragile a state to support a major sale of Expressionist material in London and theme-minded Contemporary and Modern specialists concentrated their attention instead on October’s annual round of 20th Century Italian Art sales.

THIS week sees a two-day international conference at The Savoy in London to mark the centenary of the National Art Collections Fund. Saving Art for the Nation, A Valid Approach to 21st-Century Collecting? runs on Tuesday and Wednesday, November 11 and 12, and will focus on whether it matters if works of art that were once the pride of British private collections go overseas and how they should be rescued for the nation if we believe it is important to keep them here.

The seasonal nature of the international Asian art market means buyers risk being swamped by the sheer volume of Asian art auctioned in a concentrated period. So it was the sale timing as much as the market freshness of a 103-lot private English collection of Asian works of art from a deceased estate that contributed to the success of Christie’s South Kensington’s (17.5/10% buyer’s premium) 465-lot outing on October 4.

IN 1845, aiming to create a test that would objectively record the characteristics and power of a microscope, the Prussian scientist Friedrich Adolph Nobert (1806-1881) invented a machine capable of drawing parallel lines minute distances apart.