Edinburgh

OFFERED at Edinburgh’s Royal College of Surgeons, a 169-lot section of Scottish provincial silver provided many of the highlights at Thomson Roddick & Medcalf’s (15% buyer's premium) March 29 sale.

THE Bonhams empire has embraced the notion of niche markets in pragmatic fashion, each of the various outposts having its own speciality – while the Scottish branch, which sells across the range of the market, breaks its sales into single specialist offerings. On March 18 Bonhams Edinburgh (17.5/10% buyer’s premium) offered 375 pieces of jewellery and silver with the following day’s sale comprising 198 items of Asian art, ceramics and glass.

ONE might not have thought that a Glaswegian enamelled devotional triptych was the easiest of items to estimate, but Lyon & Turnbull (17.5/10% buyer's premium) specialist John Mackie had a number of reference points when cataloguing the piece shown right for the decorative arts sale in Edinburgh on April 21.

Right: this Morris & Co. tapestry titled Greenery sold for £180,000 (plus 17.5/10 per cent buyer’s premium) at Edinburgh auctioneers Lyon and Turnbull on April 21. The outstanding lot of the firm’s Decorative Arts sale was sold to a buyer from the London area, who said: “I fell in love with it the moment I saw it and just had to have it, it is a beautiful thing and worth every penny.”

Lyon & Turnbull’s 110-lot private collection did not just comprise Scottish silver, but also silver of Scottish interest. Among the more idiosyncratic elements in the catalogue was this allegorical Jacobite snuffbox, right.

The highlight of a 110-lot private collection of Scottish and Scottish-interest silver sold by Edinburgh auctioneers Lyon & Turnbull on February 19 was this tiny dram cup made by Hugh Ross c.1720.

One of the unforeseen consequences of the arrival of Enlightenment philosophy in Puritan Scotland was the creation of clubs and societies that encouraged exuberant and outrageous behaviour in their members. The best known is the Beggar’s Benison.

Edinburgh-based auctioneers Lyon & Turnbull are set to expand out of Scotland, having made appointments in London, Devon and Newcastle. The bold move – claimed as a first for a Scottish auction house – comes close to the fifth birthday of an ambitious vision that has grown into a £5m business.

The extraordinary walnut and burr walnut veneered hexagonal display table, right, combining the talents of three well-known names of the Scottish design movement will carry an estimate of £7000-10,000 when Shapes sell the contents of Glencruitten House, near Oban from their Edinburgh saleroom on September 6.

SCOTTISH provincial silver is one of the only consistently strong areas of the silver market and, if recent sales in Edinburgh are anything to go by, Banff silver is what everyone wants.

CLUBS: A ROCKY ride perhaps, but Lyon & Turnbull certainly had the best selection of clubs this year and the one real ace to give the market a fillip – a long-nose baffing spoon by George Daniel Brown of Blackheath and St Andrews, c.1850-60.

EDINBURGH dealership Georgian Antiques celebrate their 25th anniversary this September and to mark the occasion partner John Dixon will be available for the whole month for free valuations of furniture and other antiques at their warehouse at 10 Pattison Street, Leith Links.

EDINBURGH auctioneers Thomson, Roddick & Medcalf (15% buyer’s premium) dispersed 532 lots at their Edinburgh saleroom on March 15 and auctioneer Sybelle Medcalf felt the market held up pretty well considering the international climate.

For a Scottish antique, no provenance is more guaranteed to stir the blood than a connection, however tenuous, with a romantic outlaw. At Lyon & Turnbull’s sale on 26 March the link was Rob Roy McGregor, or at least the cattle rustler’s loyal kinsman and Glasgow magistrate Baillie Nicol Jarvie.

One of the more mysterious objects at Lyon and Turnbull’s (17.5/10% buyer’s premium) decorative arts sale in Edinburgh on November 6 was this Art Nouveau pewter table lamp. Auctioneer John Mackie could not comment on why the futuristic design, measuring 2ft (60.5cm) high and apparantly unmarked, should have eclipsed a forecast of £300-500 and reached £6500.

WHILE the Irish picture market continues to boom, the Scottish market showed serious jitters at Bonhams Edinburgh (17.5% buyer’s premium) on the evening of December 5.

Edinburgh’s Royal College of Surgeons was the venue on the evening of October 29 for the sale by Thomson, Roddick and Medcalf of four important and original wallpaper designs by William Morris (1834-1896).

Golf has always been a subject that can have a dramatic effect on the price levels of artists who normally make little impact in the salerooms. Take the case of Frank Watson Wood (1862-1953), a Berwick-on-Tweed watercolourist who specialised in landscapes and marines, the best examples of which fetch around £1500 at auction.

“SOME types of Bow have revived in popularity and botanical subjects are very popular,” said specialist Deborah Clarke, after a set of four octagonal plates, two shown right, were consigned by a Scottish collector to Bonhams (17.5 per cent buyer’s premium) sale of ceramics and glass in Edinburgh on June 28.

JUST as the world’s top golfers were teeing off for The Open at Muirfield last week, Scotland was celebrating another hole in one. Grants totalling more than £2m from the Heritage Lottery Fund, the National Arts Collection Fund, the Royal and Ancient Golf Club, St Andrews and private benefactors meant that the Scottish National Portrait Gallery could acquire the nation’s most important golfing painting, Charles Lees’ (1800-1880) oil on canvas, The Golfers (1847).