Dorset

It is not unusual for an auctioneer to receive enquiries from members of the public who have seen items ‘identical’ to theirs in a newspaper, a magazine or on television. In reality the Queen Anne walnut chest turns out to be a 1920s reproduction worth £100 – but, yes, they do look almost identical.

ALTHOUGH there were no blockbusters at the 778-lot February 20 sale at Charterhouse (15% buyer's premium), neither were there many casualties, with 86 per cent of the sale finding buyers.

Sourced from a small church in the West Country but apparently once part of the furniture at William Beckford’s splendid Fonthill Abbey, this George III pair of mahogany hall benches (one shown) were the highlight of Duke’s sale in Dorchester on April 17.

Peter Rindisbacher (1806-1834) was a Swiss-born artist who was the first Western artist to leave a significant visual record of colonial frontier life in Western Canada during the early 19th century.

This full dress uniform of an officer from the Duke of Wellington’s West Riding regiment, right, was an important diversion from the main proceedings at Duke’s auction in Dorchester. Under normal circumstances this would have been a standard lot of textile militaria for the trade, but this uniform actually belonged to the sixth Duke of Wellington and had passed by descent to the vendor.

After some research Guy Schwinge of Duke’s in Dorchester discovered this rare English porcelain mug to be an early piece of Worcester and not Bow as originally catalogued.

THE sales figures from Duke’s sale August 15 & 16 (buyer's premium: 15 per cent) would look good at any time in the year but coming in the high summer for a sale of silver, jewellery and furniture, they were particularly pleasing for auctioneer Matthew Denney.

THE heroic exploits of the first Duke of Wellington in defeating Napoleon at Waterloo must be among the best recorded events in British military history.

THE WEST Country is not the antiques wilderness it is sometimes painted but a relatively sparse population means that auctioneers cannot simply rely on local solicitors to provide the deceased estates. Networking the landed gentry at cocktail parties or hunt meetings is part of the social round for any flourishing local auctioneer and such contacts regularly pay dividends for Duke’s rooms in Dorchester.

Following hot on the heals of a gold cased pocket watch which took £25,000 Sherborne auctioneers Charterhouse (15% buyer’s premium) found further horological success on May 31 with this early 19th century carriage clock, right.

PRE 1921 the Poole pottery firm, one of the most innovative of the 20th century British potteries, was known as Carter & Co. Headed up by Jesse Carter, the firm produced very few domestic wares focusing instead on tiles and architectural and garden ceramics.

This gold pair-cased pocket watch was brought into the offices of Charterhouse auctioneers of Sherborne, Dorset in a plastic carrier bag – albeit a Harrods bag – by a vendor who had kept it in his sock drawer for many years.

Limoges enamel has its English equivalent in the rustic little boxes produced by artisans in the South Staffordshire towns of Bilston and Wolverhampton during the late 18th century.

The season has not quite begun, but this late 18th century cricketing badge enjoyed a long innings at Duke’s Dorchester salerooms on April 11-12.

There was no charitable quarter given to rival bidders when this plaster bust of General Charles Booth took centre stage at Duke’s (15 per cent buyer’s premium) dispersal of the Timothy Rich collection of Staffordshire figures in Dorchester on January 24.

“It is hard to source good quality fresh to market goods these days,” said auctioneer Guy Schwinge after a monthly sale in Dorset, echoing the hardships faced by many other auctioneers around the country.

HY. Duke & Son of Dorchester have been brought in at very short notice to sell major pieces by John Makepeace on the premises at Parnham House in Dorset on May 26.

UK: HAVING ascribed it to the Italian School of the 13th/14th century in their auction advertisement, Hy. Duke now believe that this 73/4 x 9in (20 x 23cm) oil on panel, right, is in fact the pinnacle – missing for 150 years – of the Madonna panel by Nardo Di Cione (1343-1366).

£25,000 bid sees trade becoming less perfectionist in hunt for quality UK: FEW dealers will talk bullishly on the record and the auction scene in the provinces does remain patchy – but all the evidence is that there is still money around and auctioneer Guy Schwinge saw its effect at his latest Dorset sale.