UK

“For the really top things there’s no shortage of buyers, but the middle ground is weaker,” affirmed Stephen Mould of Sotheby’s wine department. “If you’ve got large parcels that depend on the trade, then bidders are more cautious. But if you’ve got small quantities of the finest things there are plenty of private buyers prepared to pay good money.”

A TAKE-UP of 570 lots of the 600 on offer at Clarke Gammon– mainly from a local deceased estate – and a grand total of £75,000 revealed a market in buoyant mood at Guildford on 11 September where the best of a number of highlights answered the current demand for early textiles.

Jean-Vital Remy was one of the most determined and assiduous Dinky toy collectors. Over a relatively short space of time – around 15 years from the mid-1980s – this Belgian enthusiast built up an enormous assemblage of French and English Dinkys spanning the entire production period. His desire for comprehensiveness and determination to acquire pieces with unusual colour or design variations made him a formidable adversary when it came to buying, whether at auctions or in shops or fairs.

THIS week sees the announcement of two new auction houses for the West Midlands, the first based in Stourbridge, near Birmingham, the second in Newport, Shropshire.

HOPES of finalising a draft of proposals for developing the new Home Office database for beating art crime by the beginning of October have not been realised. It now appears that it will be at least another two months before the proposals can be submitted to the parliamentary committee looking into them for assessment.

AS EVER, this Norfolk sale on 14 September at Keys, Aylsham provided an eclectic mix of stock, from the seriously antiquarian to the frivolous, from a 16th century summation and translation of Anglo-Saxon laws to a famous tale of porcine practicality.

Leonard Rosoman (b.1913) is an artist whose technical skill and individuality of style has never quite captured the imagination of the art market in the way that more widely recognised contemporaries like Edward Burra have.

Gordon Russell, the Cotswolds School designer, is now famous for his austere designs of utility furniture. Unfortunately for Russell, this means that his work is often neglected and undersold by owners who do not realise his significance in the history of Arts and Crafts design.

The September 20 auction of Doulton, Poole and Carlton ware at Christie’s South Kensington (17.5/10% buyer’s premium) was a three-part sale that gave two distinctly different performances.

THE Essex auctioneers Trembath Welch put together a sound 450-lot sale on 10 September to open the autumn season and were rewarded with generally solid prices and one happy surprise to offset one disappointment – an almost inevitable event in the currently hyper-selective market.

“It never gets any easier, it only gets more difficult,” a dealer told Guy Schooling before Sworders’ autumn sale on 18 September. Certainly the Essex auctioneer was ready to assume the worst after a summer so quiet he had to cancel a general sale in August, but the market is also known for its unpredictability, and a frantic two weeks at the beginning of September brought more than 500 lots through the doors.

CANTERBURY Auction Galleries are celebrating the relaunch of their rooms after a £300,000 modernisation programme. The Lord Mayor of Canterbury, Councillor Fred Whitemore, will re-open the rooms on October 4, revealing, among other changes, a grand new slate staircase and entrance lobby, with new reception area.

An evening sale of contemporary ceramics, held by Phillips (17.5/10% buyer’s premium) on September 25 yielded a healthy set of overall statistics and some strong individual results. Just over three-quarters of the 200-odd lots changed hands (82 per cent in value terms) chalking up a net total of just under £390,000.

“THIS was a very good way to get the season rolling,” said auctioneer Ben Lloyd of this 371-lot sale at Mallams Oxford on 7 September from which only one lot remained unsold.

From the day it was delivered to Lord Yarborough in 1826, this Benjamin Vulliamy travelling clock had remained in the same family until it was sold at Hy Duke’s sale in Dorchester on September 20.

When this walnut chair arrived at Shanklin Auction Rooms (10 per cent premium) on the Isle of Wight it was catalogued as Victorian and expected to fetch £400-600. However, specialist dealers who viewed it before the September 4 sale noted its clean, classical lines its ebony strung motifs and, most significantly, the wrap-around back.

AFTER this year the 20/21 British Art Fair will move from the Royal College of Art in Kensington Gore, London SW7 to the Commonealth Institute, Kensington High Street, W8.

THE first UK clocks and watches sale after the summer lull presented a good opportunity to examine the health of a market which is notoriously prone to ups and downs. From results at Gardiner Houlgate, Bath, it would seem that the trade in gentleman’s pocket watches remains buoyant, while ladies’ wristwatches are still hard to shift.

A clutch of Oriental entries were among the more interesting works in the Amersham Auction Rooms’ otherwise run-of-the-mill offering of 324 antiques and collectables on 2 August.

Waddesdon Manor, the Rothschilds’ country estate in Buckinghamshire, has come over all fashionable. The theme for their 2001 season is Art in Fashion. In the garden, the parterre has been given over to the talents of fashion designer Oscar de la Renta, who has designed two vibrantly coloured rainbow displays of carpet bedding.