Decorative Art

THE acceptance that silver has long lost its shine does not mean that there is no active market, just that prices are lower. After this sale of 340 lots at Phillips’ Midlands operation on 19 September the familiar picture emerged of modern pieces struggling, standard material chugging along and items with appeal beyond the metal doing rather well.

Job lots in local sales that are not widely advertised can sometimes yield the greatest bargains. As such, this William III oval silver spice box, right, was the treasure acquired with the detritus of a job lot by a local dealer at a Nottinghamshire auction for just £12.

Sotheby’s (17.5/10% buyer’s premium) move to Olympia was accompanied by a rethink of auction selling categories. Their general ceramic and glass sales have been split into smaller specialised European ceramics, British ceramics and glass auctions each to be held tri-annually at Olympia.

The Artful Teapot by Garth Clark, published by Thames & Hudson. ISBN 050051045 £28 hb

Any dealer, collector or curator would love to get hold of the ultimate reference catalogue of Victorian artistic design, especially if it was bound in gilt stamped red morocco and velvet housed in a purpose-built satinwood cabinet complete with four volumes of jury reports and a case of five medals.

The September 20 auction of Doulton, Poole and Carlton ware at Christie’s South Kensington (17.5/10% buyer’s premium) was a three-part sale that gave two distinctly different performances.

This early Meissen silver gilt mounted tankard painted in the manner of Horoldt was spotted sitting on top of a radiator by auctioneer Mark Law during a routine valuation.

THE degree of demand for any type of ceramics can be gauged by the amount of damage buyers will tolerate – once it was only the rarest of early pieces where condition was not paramount, then this began to be true of 19th century majolica and now, apparently it is beginning to be the case when it comes to Moorcroft.

Porcelain toys are the tiny versions of tablewares produced by ceramic factories alongside their standard size wares. The earliest 18th century examples, often less than an inch in height, were probably made to furnish dolls’ or baby houses, which were initially playthings for adults rather than children.

This pair of Minton plaques by pâte-sur-pâte master Louis Solon had been rescued by a Staffordshire man from his mother’s garage and transported by supermarket plastic bag to the Burton-on-Trent rooms of Richard Winterton.

THE two-day Staffordshire sale at Wintertons on 25-26 July was, at just under 800 lots, not perhaps quite a giant sale but it certainly covered the range of lower and middle-priced antiques.

GENERAL silver remains a quiet market but novelty material is booming as shown when this 51/2in (14cm) silver-encased desk bell by Gy & Co,in the form of a tortoise, was offered at the July 17,18 sale held at Aylsham, by Keys (10% buyer’s premium).

THIS 582-lot sale at Cumbria Auction Rooms on 25 June was quieter than the Carlisle rooms are used to, a fact which auctioneer Howard Naylor attributed to a strong pound and the way dealers are not buying second rate furniture adding: “It’s all down to quality and condition.”

Candy Art Pottery by Ian Turner, published by Hillian Press, the Old Brewery, 12 Church Street, Melbourne, Derbyshire DE73 1EJ. Tel: 01332 862629. email: hian@turnermel.fsnet.co.uk ISBN 09539750X. £22 (£20 plus £2 p&p).

UK: CERAMICS expert at Bonhams & Brooks’ Honiton outpost, Lucy Lanning, believes ceramics and glass to have a much stronger following than brown furniture at present – a belief borne out by buy-in rates in the two sections.

Sometimes the most famous names can be found in the unlikeliest places. Biddle & Webb auctioneer Nicholas Davies had been called out to view a Georgian drop leaf table in a local property but noticed this early trefid spoon, pictured, in a small box of cutlery.

Minton’s majolica is currently riding high with collectors who appreciate its bright colours and distinctive, often quirkily clever designs. But there is much more to Minton than its majolica, as a loan exhibition currently on show at Phillips New Bond Street rooms aims to show.

June saw the fourth and final episode in the dispersal of the Ken Smith Collection of Staffordshire pot lids and Prattware by Reading auctioneers Special Auction Services (15% buyer’s premium inc. vat). The 240 lots from the collection, mainly four items per lot, formed part of the 1000-lot event over the weekend of June 9 & 10 and contributed £47,400 to the hammer total of £207,500 for the whole collection of which only a remarkable 23 lots failed to get away.

The demand for the best of Louis Comfort Tiffany’s studio glass continued apace at Christie’s (17.5/10% buyer’s premium) 86-lot Important 20th century Decorative Arts including Works by Tiffany Studios, June 7.

Tiffany Favrile glass brought the biggest money at Sotheby’s (20/15/10% buyer’s premium) 407-lot 20th Century Works of Art, June 5. Foremost was a privately consigned Favrile glass and bronze dogwood cone chandelier, 3ft 4in (1m), with chains, ceiling cap and verdigris patina.