Plates

When ‘collecting fields’ are talked about it can mean certain eras rather than just ceramics, glass or silver for example. The ‘heroic age of polar exploration’ is a classic example.

The year 1737 was something of an annus horribilis for George II.

A Derby porcelain plaque and two Japanese plates have been returned by Surrey Police to two stately homes after they were recognised from an alert in Antiques Trade Gazette

THE Lyon & Turnbull sale at Edinburgh got off to a splendid start when Lot 1, a Worcester porcelain plate from the Duke of Gloucester service, c.1770, sold at £12,000.

Yet another example of a British auction house benefiting from the craze for all things Russian was seen at Welsh auctioneers Rogers Jones of Colwyn Bay on May 27, when international interest clamoured for this Russian plate.

KNOWN as Twelve Months of Flowers, a famous set of plates engraved by Henry Fletcher after original floral paintings by Pieter Casteels was originally produced as a sumptuously illustrated nursery catalogue of some 400 different species of flowers.

FOR four generations, and more than 150 years, the Stinton family of porcelain painters were represented at the Worcester factories.

FOLLOWING the sale of a Charlotte Rhead wall plate for an unexpected £2900 in October last year, the Ilkley, West Yorkshire salerooms of Andrew Hartley received another rare design by the industrial ceramicist for their sale of August 11-12.

THE general strength of the Sèvres market was reinforced in spades by the very strong prices paid for two plates that featured in Christie’s King Street sale on July 5. Both are from celebrated services and both have the type of bold, slightly more masculine decoration that is currently fashionable.

Right: this fine Nantgarw porcelain plate, once thought to be painted by Thomas Baxter and traditionally known as the ‘Three Graces’, was part of a collection of porcelain offered by Worcestershire auctioneers Philip Serrell on May 20.

THIS fine Nantgarw porcelain plate, right, once thought to be painted by Thomas Baxter and traditionally known as the ‘Three Graces’, is part of a collection of porcelain to be offered by Worcestershire auctioneers Philip Serrell on May 20.

The highlight of the sale conducted by Bourne End Auction Rooms (12% buyer’s premium) near Marlow, Buckinghamshire, on March 4 was this pair of tin-glazed earthenware plates, right, made c.1740 by Saverio Grue at the Castelli factory in Naples.

THE Staffordshire potters never missed a commercial trick. Despite the political differences that may have existed between the USA and Britain following the War of 1812, large quantities of transfer-printed wares were made specifically for the American export market during the first half of the 19th century.

THE inscription Wilkes And Liberty No. 45 on this 9in (23cm) diameter Lambeth delftware portrait plate is as good as a date as it refers to the publication of the 45th issue of John Wilkes’ sharp-tongued periodical The North Briton.

In Cologne on October 26 W.G. Herr (18% buyer’s premium) staged a Jubilee sale to mark their 50th auction in the cosy Friesenwall gallery where, as he puts it, Werner Herr has been “swinging the hammer” for 20 years.

“SOME types of Bow have revived in popularity and botanical subjects are very popular,” said specialist Deborah Clarke, after a set of four octagonal plates, two shown right, were consigned by a Scottish collector to Bonhams (17.5 per cent buyer’s premium) sale of ceramics and glass in Edinburgh on June 28.

With their lively if somewhat comic subject matter, these so-called ‘Scotsmen’ famille rose plates, 18th century, always receive a warm welcome. But the comic depiction of this kilted couple of the 42nd Foot Regiment belies the fate that lay in store for them.

PRE 1921 the Poole pottery firm, one of the most innovative of the 20th century British potteries, was known as Carter & Co. Headed up by Jesse Carter, the firm produced very few domestic wares focusing instead on tiles and architectural and garden ceramics.