Royal Worcester

AS all but the very top end of the furniture market continues to stagnate, Andrew Hartley (10% buyer's premium) can take some solace in the solid private client base it has built up for its regular consignments of Royal Worcester porcelain.

FOR 71 of his 84 years Harry Davis (1885-1969) worked as a decorator at the Royal Worcester factory, ultimately rising to the post of foreman painter. He painted a wide variety of subjects, but is best known for his sheep-decorated landscapes, all produced in the first quarter of the 20th century.

THE very earliest English porcelain has long held sway in the market, but one feature of Part I of the mammoth Zorensky Worcester collection sold by Bonhams in March was the high prices paid for some of the late 1760s and early 1770s underglaze blue ground tablewares.

THE market’s mood for the earliest English porcelain was in evidence at the April 27 sale held by Brettells (12% buyer’s premium) of Newport. The Shropshire firm offered a 16-lot private collection of mainly Worcester wares.

CHARLES Baldwin’s stock-in-trade as a porcelain artist was swans in flight, but the celebrated Royal Worcester painter did occasionally apply his meticulous technique to other subjects including mammals and other birds. The sale held by Philip Laney (10% buyer’s premium) at the Malvern Auction Centre on April 6 included the impressive vase, top right, decorated by Baldwin with goldfinches.

As the most prolific of the 18th century English porcelain-producing factories, there is plenty of scope when it comes to collecting Worcester porcelain. There are few collectors, however, who can match the determination of Jeanne and Milton Zorensky.

WEEKLY antique valuation days at their recently opened estate agency in Welshpool have begun to pay dividends for Shrewsbury-based auctioneers Halls (15% buyer's premium), and specialist Jeremy Lamond hopes that the firm’s presence there will help broaden their Welsh client base.

Bonham’s had no difficulty dispersing the first instalment of the mammoth collection of Worcester porcelain formed by Milton and Jeanne Zorensky, offered in their New Bond Street rooms on March 16. Just five of the 416 lots were left unsold and even these had all found buyers by the end of the day.

WHAT would otherwise have been a sound enough sale at Andrew Grant Auctioneers (15% buyer's premium), Worcester, on February 19 provided two trade talking points – one positive, the other negative – after the differing fortunes of three lots among the ceramics.

Bonhams are consolidating their reputation for high-profile and prestigious single-owner ceramics collections with another big name to add to the recent roll-call. After Bernard Watney, Norman Stretton, Billie Paine et al come Jeanne and Milton Zorensky, the first part of whose mammoth collection of First Period Worcester is to be offered for sale in Bonhams’ Bond Street rooms this month.

Highlight of the sale conducted by Andrew Grant at the Bank House Golf and Country Club at Bransford, Worcester on February 19 were two Royal Worcester potpourri vases decorated by John Stinton. Both carried fine renditions of the artist’s trademark Highland cattle in moorland, including this example standing 12in (30cm) high with twin leaf-form handles and piercing and ribbon swags to the neck.

Countless numbers of sardine dishes were turned out by the 100 or so potteries who made majolica wares in the final third of the 19th century but for some collectors the mission is to find an example of each.

ENGLISH POTTERY AND LATER ENGLISH CERAMICS: The mixed-owner, all-English sale held by Bonhams Bond Street on December 10 covered a much broader canvas than the Billie Pain collection. It ranged from early delftwares to 20th century Royal Worcester, with examples of most other ceramic categories in between.

With only seven others known to exist, this pair of 1750s Worcester gugglets was destined for success when offered on July 22 at Bristol Auction Rooms. Acquired fairly recently by a local private source, the 9in (24cm) high pair were originally estimated at just £400-600.

One of the highlights of the English porcelain section of Sotheby’s Olympia’s ceramics sale on July 3 will be a group of pieces from the celebrated Duke of Gloucester Service produced by the Worcester factory c.1775. The service is said to have been made for William Henry, Duke of Gloucester and Edinburgh and Earl of Connaught (1743-1805), younger brother of George III.

This rare and impressive Royal Worcester porcelain model of a Golden Eagle, right, attracted huge amounts of interest from Royal Worcester collectors when it came to the rostrum on April 10 at the Worcester rooms of Andrew Grant (15% buyer’s premium).

In November of last year this documentary Chamberlain’s Worcester ‘D’ shaped bough pot and cover sold at a West Country saleroom to a private collector and sometime dealer for £2700.

After some research Guy Schwinge of Duke’s in Dorchester discovered this rare English porcelain mug to be an early piece of Worcester and not Bow as originally catalogued.

Shanklin Auction Rooms have taken what they believe to be a record price for a Worcester teapot. The Isle of Wight auctioneers expected a bid of around £1000 for the rare c.1760, 5in (13cm), first period Worcester pot (pictured) and were amazed to see it knocked down to a London dealer for £11,000 (plus 10 per cent buyer’s premium).

This Chamberlains Worcester yellow ground beaker-shaped vase c.1802, painted with a figure emblematic of Fame and supporting a miniature of Admiral Lord Nelson to commemorate the battle of the Nile, appeared at Law Fine Art on May 22 with an estimate of £4000-6000, having been consigned by a “Middle England” collector.