Ceramics

In the 130th anniversary year of the birth of Jean Cocteau (1889-1963), a collection of ceramics by the leading figure of the French avant-garde was a sell-out at Bonhams’ Prints and Multiples sale on December 11-12.

This 12½in (31cm) Royal Copenhagen blanc de chine vase offered by Newcastle’s Anderson & Garland (22% buyer’s premium) on December 5 has an underglaze ‘three waves’ mark dating to c.1870-90.

Preview held in imposing stately home helps to boost interest ahead of first sale section.

In preparation for the 25th anniversary of the Staffordshire Figure Association (SFA) in 2020, its 60 members worldwide are, for the first time, receiving a wall calendar.

Although catalogued as Sèvres, a porcelain cup and saucer sold by Keys (20% buyer’s premium) of Aylsham for an unexpected £5500 (estimate £100-200) on November 27 was by the factory’s precursor at Vincennes. The saucer had the date letter A for c.1754 and the cup B for c.1755.

Two mixed lots of Victorian dust-pressed tiles sold for multi-estimate sums at Mander (24% buyer’s premium inc VAT) in Sudbury on November 30. Key to their appeal were the inclusion of near sets of tiles made by Minton Hollins & Co to designs by Arts & Crafts luminaries.

A pair of Castelli maiolica plaques will feature in Artcurial’s mixed-discipline sale of furniture and works of art in Paris on December 16-17.

Two November sales underlined the current strength of the field of British studio pottery.

Specialist Philip Smith, head of the 20th Century & Modern British Art departments at the London outlet of Edinburgh auction house Lyon & Turnbull (25% buyer’s premium), believes studio ceramics should be classed as art.

A small Worcester mug painted with a rare blue and white pattern, c.1752-53, was among the stand-out sales during Jupiter Antiques’ latest exhibition, where it was offered for a price in the region of £4000.

Tile formerly in the huge Baudry collection is one of the London gallery show highlights

The large collection of predominantly English ceramics offered by Stair Galleries from a New York collector included examples of 18th century porcelain from many of the major English factories.

After their intitial interest in Wedgwood, the Starrs went on to collect other examples of early English porcelain, some of which was keenly pursued in Sotheby’s sale.

A more recent purchase for the Starrs was this late-18th century, 10¼in (26cm) high, black basalt two handled amphora, from the section of encaustic-decorated wares that were inspired by classical attic vases.

Another of the highest prices in the Stair Galleries’ sale of a New York ceramics collection came for this Staffordshire rarity.

An impressive 23in (58cm) tall Sèvres vase offered by Shropshire auction house Trevanion & Dean (20% buyer’s premium) had a lot going for it historically but a considerable amount of condition problems.

Plenty of affordable Wedgwood from all eras was available in the Stair sale.

High selling rates at two American salerooms show how the market can absorb traditional ceramics in volume when estimates are realistic