Decorative Art

This 19th century George Jones majolica game pie dish and cover led the way at Lawrences (11% buyer’s premium) three-day event, held at their rooms in Bletchingley between February 4 and 6.

FAMILY deaths and property downsizings still account for the majority of goods sold at auction, but lifestyle options are increasingly a factor. At Andrew Hartley’s sale the decision by a local vendor to part with her Chiparus figure to pay for an extension on her new home was almost as cutting edge as the Yorkshire man who ditched this collection of modern glass, some shown left, by Lancashire master blower John Ditchfield to pay for a holiday in the Far East.

IF THERE is one objet d’art that best characterises the antiques market at present it is the curate’s egg – good in parts, but bad overall. The flawed ovum’s brighter regions encompass most low-value collectables – ceramics included.

BESWICK is one of the strongest areas of the 20th century collectable ceramics market so it was not surprising to see trade and private collectors packing these Leicestershire rooms at Gildings to bid on a large single-owner collection from a local deceased estate. What was surprising were the lengths to which bidders would go.

In November of last year this documentary Chamberlain’s Worcester ‘D’ shaped bough pot and cover sold at a West Country saleroom to a private collector and sometime dealer for £2700.

English glass doesn’t generally compete with Continental for price, so anyone just looking at the top results from Sotheby’s mixed-owner auction held the day before their Japanese museum dispersal might have got the erroneous impression that home-produced material had played a low-key role.

THE sad plight of silver is as well known as the boom in all Arts and Crafts pieces – what happens when the two come together was the question at Sworders’ sale when this pair of plated candlesticks, right, were offered.

CHESHIRE auctioneers Peter Wilson, (15% buyer’s premium) found it hard going at their November 27-28 sale at Nantwich with only 60 per cent of the 720 lots getting away – but where obvious quality was on offer, bidders were keen enough.

19th century cameo glass was the strong suit in Sotheby’s sale of European glass from the Hida Takayama Museum of Art in Japan, held in their Bond Street rooms on December 19. Amongst a number of pieces that were particularly keenly contested by the room and the telephones was this 16in (41cm) high Thomas Webb vase which sold to a private buyer for £95,000 (plus 19.5/10% premium) after bidding first from the room then a battle between two telephones.

Ceramics, Ethics & Scandal, by Rosalie Wise Sharp, published by RWD Books, Toronto, Canada and distributed by the Antique Collectors’ Club. ISBN 0973141700 £50 hb

Coming up on December 11, 12 and 13 is Rupert Toovey & Co’s Sale of Antiques, Fine Art & Collectors’ Items, which will be the inaugural sale at their new Spring Gardens salerooms in Washington, West Sussex.

Susie Cooper: A Pioneer of Modern Design, edited by Andrew Casey and Ann Eatwell, published by the Antique Collectors Club. ISBN 1851494111 £29.50

November 19 was a very busy day for silver fanciers, obliged to make a decision about which of a trio of overlapping London sales they wished to attend in person. As well as King Sreet's main sale, there were more standard offerings at Christie’s South Kensington and Bonhams Knightsbridge (each 17.5/10% buyer’s premium).

Historians have spent many enjoyable hours attempting to decipher the symbolism of pictures on the back of Georgian teaspoons such as those illustrated right. Like the club tie or the secret society handshake, the picture back teaspoon was an English gentleman’s discreet method of signalling loyalties to potential sympathisers when serving afternoon tea.

LONDON-based Brian and Anna Haughton are moving their International Ceramics Fair & Seminar from the West End to the Commonwealth Centre in Kensington where it will be staged in conjunction with a new event, The London Asian Art Fair.

“Black lacquered papier-mâché is back in vogue after a couple of years in the doldrums,” said Bonhams’ David Houlston, hailing one of the most successful components of November Chester sale on 6-8 November. This material was a decorative complement to the crepuscular interiors of Victorian houses and Mr Houlston believes that its resurgence is due to the ingenuity of modern decorators who have found brighter uses for the black.

A private collection of Wood family Staffordshire pearlware figures was the main focus of a sale of British ceramics held by Sotheby’s Olympia on November 19.

This tiled panel advertising Champagne Mercier was one of a rare ensemble of six panels made in the early 1920s, each 5ft 9in x 2ft (174 x 62cm), on offer under the Prunier hammer in Louviers (14.95% buyer’s premium) on November 17. The other tiled panels, accompanied by two landscape friezes, also advertised drinks (Rhum Negrita, St Raphaël, Guillot Triple Sec, Quenot Dijon cassis, Fine Legrand cognac), and were marked G.F.C. France for Gilardoni Fils & Compagnie of Choisy-le-Roi, near Paris.

Auctioneer Geoffrey Barfoot has noted increased activity at the general sales in the Campsea Ashe rooms of Abbotts (10% buyer’s premium) and the mood has spread to fine art – “provided the lots are fresh to market and good or rare”.

THE sale at Amersham Auction Rooms (15 per cent buyer’s premium) on October 3 had a number of items with collector appeal – none more so than this Wemyss cat, right, a speciality within a speciality. The vendors had no knowledge of the value of the 123/4in (32cm) black and grey cat but bidders at Buckinghamshire didn’t need the Wemyss Ware Made in England painted mark to the base to recognise it for what it was and the cat sold to a local dealer at £4000.