19th Century British Art

A c.1900 half-length oil on canvas portrait of a girl with flowers caught the eye of bidders at Lacy Scott & Knight (24% inc VAT buyer’s premium) in Bury St Edmunds, Suffolk.

Hopes are high that the market for traditional British sporting paintings could experience a boost in demand after a single-owner collection racked up over £2m at auction in London.

A watercolour study of a dead pheasant attributed to JMW Turner (1775-1851) was taken to £14,000 at a Scottish auction house.

A harbour view of Maryport in Cumbria by Victorian artist William Mitchell (1806-1900) topped the lots at local saleroom Mitchells (20% buyer’s premium).

This rediscovered drawing of the future George IV (1762-1830) is believed to have been owned by his true love Maria Fitzherbert (1756-1837).

Paintings by Leeds-born artist Louis H Grimshaw (1870-1943) are often overshadowed by his better-known father, John Atkinson Grimshaw (1863-93).

Artist Sarah Biffin (1784-1850) is believed to have had the condition phocomelia and was born without hands, arms or feet.

Exhibition shows how painter’s shift from realism to Pre-Raphaelite fantasies paid off.

An early watercolour by Isabel Codrington (1874-1943) depicts the Norse legend of the goddess Iduna and King Thiassi, who disguised himself as an eagle to kidnap her.

Fewer than 30 works are known by the Victorian artist and noted Suffragette Susan Isabel Dacre (1844-1933).

This classic mail coach scene by the 19th century painter James Pollard (1792-1867) doubled pre-sale hopes in a picture auction at Surrey saleroom John Nicholson’s (25% buyer’s premium).

This oil below depicts the Victoria & Albert II, the largest royal yacht of the Victorian era which remained in service until the end of Queen Victoria’s life.

'Lights o’ London – Glasshouse Street by Piccadilly Circus' is among more than 20 works by Rex Vicat Cole (1870-1940) and his son John on offer at a show featuring depictions of the capital spanning 200 years.

Robert Hillingford (1826-1904) was a Victorian painter of historical scenes, whose subjects included the Duke of Wellington and Napoleon, as well as scenes taken from Shakespearean plays.

Focus on one of only two notable women painters to be associated with the Norwich School.

A crayon portrait by Dante Gabriel Rossetti (1828-82) surfaced at Oxford saleroom Mallams (22.5% buyer’s premium) together with another of the sitter’s father.

Many figures involved in the booming 19th century art industry of livestock portraiture had no formal training.

A second version of one of the best-known images in Welsh art comes for sale in Cardiff next month.